THE LAND OF LOOK BEHIND

BY

PAUL CAMERON BROWN


FOREWORD

The Land of Look Behind hopes to be something of a rear-view mirror, at once cocked to reveal our innermost dimensions while transporting that, which by necessity, must lie beyond. Involving ourselves in any interplay with flickering images, of course, must be more than fireside watching and it is my hope the book will be seen not solely as a collection of short stories, although these do figure prominently in the narrative. Satire, "beast fables," and texts (single-page entries) mingle casually with the longer tales. Regardless of the genre, they hope to speak as a unit--to view the conflicting colours of a prism's radiation. Allow me to detail what you can expect.

On the subject of Indian myths, these are entirely of my own making. They are an attempt to visualize the mysteries of creation through alien perspectives. Oral myths were Canada's indigenous literature. In this vein, the writer resorts to utilizing the spoken ballad form in some of his exercises. Some of the prose pieces reflect a mirror world where the gazer chances upon reality with a new breath of perception--much as the native people's world was to the arrival of the whites.

Bewilderment with the natural world is the keynote here. For how many of us have wished, like the Indian, to clarify a particularly taxing bit of life--to elucidate its function into a more recognizable form?

On a larger plane, this is the issue before the book--the "terrible algebra of our existences,"--explored with the urgency and sometime seriousness it deserves.