But how well you know, my friend, where to turn and what awaits you, if, on lifting your eyes, you need not blush to behold this heavenly brightness! Oh may it indeed be this color which I am given to contemplate! Not red, and not the color of the sun, it is the fusing of blood in gold. It is life consummated in victory. It is the perpetual renewal of youth in eternity.
The thought that this is only the day arising does not diminish my exaltation in the least; but the thing that embarrasses me like a lover, that makes me tremble through my whole body, is the intention hidden in such glory. It is my admission to it, it is my progress toward meeting with this joy.
Drink, oh my heart, of these inexhaustible delights!
What do you fear? Do you not see how the current, accelerating the movement of our boat, leads us on? Why doubt that we shall arrive, and that endless day will respond to the brightness of such a promise? I foresee that the sun will rise, and that I must prepare to sustain its power. Oh light, drown all transitory things in the depth of thy abyss!
Let noon come, and it will be vouch-safed me to meditate, Summer, upon thy reign, and to include the whole day in my perfected joy, as I sit amid the peace of all the earth in the harvest solitudes.
THE BELL
While the air is rejoicing in perfect stillness, at the hour when the sun is consummating the mystery of noon, then the great bell, with its sonorous and concave expanse swung to the point of melody by the blows of its cedarn hammer, rings with the rolling earth; and soon its sound, receding and advancing, has crossed mountain and plain until a wall which one can see on the far horizon, with a series of Cyclopean doors piercing it at symmetrical intervals, hems in the volume of its resounding thunder and forms the frontier of its clamor. In one corner of this enclosure a city is built. The rest of the place is occupied by fields, woods, and tombs; and here and there, under the shadow of sycamores, the vibrations of a bronze gong far within a pagoda deflect the echoes of the monster as they die away.
I have seen, near the observatory where Kangchi went to study the stars of old age, the pavilion where the bell resides under the guard of an old bonze, honored by offerings and inscriptions. The outstretched arms of an average man are the measure of its width. I knock with a finger upon its surface, which sings through a six-inch thickness at the least shock. For a long time I lend an ear. And I recall the history of the molder.
That cord of silk or catgut should resound under the curve of the bow, that wood, having been instructed by the winds, should lend itself to music,—in these phenomena the artisan found nothing singular; but to attack the very element, to extort the musical scale from primitive soil, seemed to him the means of properly making Man resonant and awakening his clay. So his art was the casting of bells.
His first bell was carried up to heaven in a storm. The second, when they had loaded it on a boat, fell into the deep and muddy waters of the Kiang. The man resolved to make a third before he died, and this time he wished to gather into one deep vessel the soul and the whole voice of the nourishing and productive earth, and pack into one thunderous vibration the fulness of all sound. This was the plan that he conceived, and the day that he commenced his enterprise, a daughter was born to him.