The lady drew an eight of spades, which she then replaced in the pack and shuffled the cards; but our magician was certain of guessing the card, because the pack he offered her contained eights of spades and nothing else; and while he bewildered his hearers by his constant jabbering, he slipped his hand behind the little man, who, when another trick was being performed, was suddenly requested to rise, and was stupefied to find under him the card that his wife had drawn.
I walked away from the sleight-of-hand booth; but, happening to put my hand in my pocket, I failed to find my handkerchief. That trick was better than any of the juggler’s; it had been done very adroitly; luckily, I was not wearing my watch seal.
Behold me at last before the enclosure consecrated to the dance. But it was no longer good form to dance in the public gardens; only at village fêtes did our young Parisian exquisites condescend to execute a balance and a ladies’ chain in the open air. Here, none but hucksters, petty bourgeoises, and grisettes dare to abandon themselves to the joys of the dance; they know nothing of conventions, of good form; they want to enjoy themselves, and they are so happy when dancing! their pleasure is depicted on their faces! they hop and skip with such hearty good will! By the faces of the fair damsels who were watching the dancers I could see that good form is sometimes very ill-humored; but they avenged themselves by criticising those who defied convention. They sneered and laughed at the others, and made unkind remarks; good form and propriety never forbid that. They ridiculed everything that they could not do; they spoke slightingly of what in their hearts they loved: it was the fable of the fox and the grapes again.
But the spectators were most numerous around one particular quadrille; the dancers were surrounded by a triple row. I was certain that there must be some unusually pretty face there, or some particularly absurd costume. I approached and succeeded in forcing my way to the front. I looked at one of the dancers: she had an insignificant face and a commonplace dress; she could not be the object of such universal curiosity.
“She is mighty pretty.”
“Oh! you wait till you see how gracefully she dances!”
These remarks were made by two young men who stood near me. Thereupon I glanced over the different performers in the quadrille, and my eyes soon rested on a young woman wearing a little cap with a bunch of roses on it.
I admired the young woman’s piquant face; her eyes were animated by the excitement of dancing; her enjoyment made her bosom rise and fall more rapidly, and the flattering murmur that arose on all sides brought a vivid flush to her cheeks. What woman is insensible to praise? Did you ever meet one who was, reader? If so, I advise you to register her name on your tablets.
But, as I scrutinized the pretty dancer, a sudden reminiscence flashed through my mind: those features, that figure, the bunch of roses, and the plan of coming to Tivoli. Unquestionably it was Mademoiselle Caroline; it was my little flowermaker of the preceding evening. Thoughtless fool that I was! I had forgotten her, and had been strolling about the garden without trying to find her! But since chance had brought me into her presence, I determined to make the most of it, and, good form or not, to try to obtain a dance with her, so that I might speak with her.
But suppose that anybody who knew me should see me dancing at Tivoli! I felt brave enough to defy the criticism and mockery of the young men and the pleasantry of the ladies; and as I contemplated Caroline’s seductive features, I said to myself, with Rousseau: “I must be happy! ’tis man’s first need!”—Now, to be happy, it was necessary first of all that I should dance with Caroline.