“Here the common people, the workmen, are born musicians; the petty tradeswoman seeks recreation after her day’s labor with her guitar. The boatman as well as the great nobleman, the peasant woman as well as the rich lady, blends her voice with the chords that she strikes on that instrument.”
“It seems, then, that everybody plays it.”
“And the Italian women have a nonchalant air when singing that forms such a striking contrast to the fire of their eyes.”
“I certainly shall go back to Paris and make trousers, monsieur.”
Auguste left Bertrand and went out to walk in the suburbs of the city. The season being farther advanced in that beautiful climate, there was already a wealth of verdure, shrubbery and fragrant groves, which the Italian regards with the indifference of habit, but which arouse the admiration of the stranger who sees for the first time that lovely sky, that delicious landscape, and those flowering orange trees which spread the sweetest of perfumes all about.
In a pleasant country everything is calculated to inspire pleasure. The climate of Italy seems to be the fitting climate of love. The aspect of a wild landscape, of a rugged and sterile country inclines the soul to melancholy and sadness; that of a verdant grove, of a valley studded with flowers, makes our hearts beat more gently and gives birth to no thoughts save of pleasure and of love.
Auguste, who did not need to be in Italy to have his imagination take fire, was conscious nevertheless of the soothing influence of the climate; he sighed as he glanced at the lovely women who passed him by; and as the young Frenchman was a comely youth, his sighs were answered by some very expressive glances.
Among the attractive young women whom he met in the street, Auguste noticed one, modestly but respectably attired, who usually had an older woman on her arm. The young woman’s face was fascinating; but her timid glances, far from challenging the young foreigner’s, were modestly lowered when they met. Auguste followed them, however. Sometimes the older woman turned her head, and, when she saw the young man, urged her companion to quicken her pace. When they reached a distant suburb of the city, the ladies entered a small isolated house. The young woman afforded Auguste one more glimpse of her lovely features as she furtively glanced at him; but the old woman closed the door behind them and the enchanting image vanished.
Auguste stood some time in front of the house which the pretty Italian had entered; but at last, tired of staring at a door and windows that did not open, he returned to his hotel, saying to himself:
“She’s an angel! she is ideally beautiful, the model of the Venus de Medici, of Girodet’s Galatea, of Psyche, of Dido; and I must make the acquaintance of such charms.”