December the 28th.
We have met again, our hands have touched, and our eyes have encountered each other; but what a sorrowful meeting. The vengeance I expected has come.
The program of a concert was brought to my lodgings. A player on the cither was going to perform in the Assembly rooms at the Post. I am no longer displeased at being roused from my own thoughts; so I went, as I very much like the cither, and have always wished to hear a virtuoso perform on it. When I arrived the first piece had begun, and only three seats in the front row were unoccupied; they seemed to have been kept for some expected personage of distinction: I found myself compelled to take one of these seats of honour, and did not do so, unwillingly for the tone of the instrument was rather low, and there too, I could observe the movement of the performer's hands. The air soon became oppressive; the heat of the stove, the crowded room and its low ceiling all combined to make it so. I was much flurried at first, but I soon grew calm, and listened with delight to the charming and touching sounds. Suddenly the door was opened softly and quietly, and Morrik entered. He stopped when he saw the room filled, but did not like to turn back. Some gentlemen near the door pointed out to him the empty seat beside me. He slowly moved up the room, and arriving at my side, sat down with a slight inclination of the head. My breath stopped and I feared he would perceive the trembling which seized me, as the arm of his chair touched mine; however he appeared to be much calmer than I was, and to listen to the music with more attention; so after a time I mastered my agitation, and listened too, absorbed in an exquisite and sweet reverie. I felt as if the melody were a celestial atmosphere in which our mutual thoughts and feelings rose and intermingled; a harmonious communion of soul with soul banishing all that had hitherto divided estranged and tormented us. I cannot describe how this sort of visionary dream comforted me. I felt persuaded that the same thoughts touched him also. Our eyes were fixed on the cither, and yet it seemed as if they met in one long book.
Even the applause and shouts of bravo! hardly roused us from this ecstasy. The pauses between the pieces only lasted for a few minutes, and at the end of one of them the cither-player put by his cither, and brought out an enormous instrument which he called the divine Kikilira, explaining in a few words that it was an instrument peculiar to the Tyrol, and had been constructed by a simple peasant. It is a sort of wooden harmonium--the notes are formed of very hard wood, and the tones are produced from them, by the sharp and rapid blows of two small hammers. It has a harsh shrill sound, and one could hardly have found an instrument more opposite to the cither. It rudely put to flight all my exalted thoughts and feelings, and seemed to outrage my very soul. I would willingly have left the room, had I not been afraid of offending the performer. I feared for Morrik, for I knew how exceedingly sensitive he was with regard to every noise. I slightly glanced at him. He sat with closed eyes his head reclining on his right arm, as if trying to shield himself from this sudden attack.
All at once I perceived that his lips grew still paler, his eyes opened partially and lost all expression; then his head sank heavily against the back of his chair.
Several of the audience also observed this, yet no one moved to assist the fainting man. I fancied, judging by the scornful expression on their faces, that they with malicious pleasure, purposely left this benevolent charge to me. I got up and begged the performer to stop, as a gentleman was unwell. I sprinkled his forehead with eau de cologne which I always carry with me, and let him inhale the vivifying perfume. Part of the company had risen, but none of them left their places: it was only to observe the spectacle more at their case. Only the cither-player came to me, and helped me to support Morrik, when his senses had returned; and to lead him the few steps to the door. Once out of the room, where the fresh December-wind blew across his face, he recovered completely. He looked inquiringly at me, then remembered what had occurred and leant slightly on my arm as I led him down stairs. "I thank you;" was all he said, and we walked on together as his servant was nowhere to be found. I accompanied him up the kleine Lauben, as the street leading past the Post is called, and as far as the church from whence we could see his lodgings. "Do you feel better?" I asked. He bowed his head and made a movement as though he now wished to walk alone. Ere we parted he pressed my hand endeavoured to repress a sigh, and silently turned towards the house. I watched him till he had reached the door; he walked with firm slow steps, and did not once look back. When he had disappeared, I too went home.
I feel so overcome by this event that I must lie down; my head is nearly bursting with pain, and when I close my eyes the harsh hammering sound of that wooden instrument, which surely has received the name of "divine" in derision, rushes wildly into my ears, and I feel feverish and exhausted from the heat and oppressive air of the room.
The 11th January.
A fortnight of sickness and suffering, during which I did not open a book or play a note on the piano--It was only a slight influenza, sleep and diet have pulled me through--though one night when the fever tormented me with horrible visions, I was on the point of calling in a doctor, as my landlady constantly urged me to do. The people here have great faith in medicines. I am glad that I can now again stand on my feet, and owe it to no one but myself. I will venture on my first walk to-day. The air is cold, but still, and the sun is so powerful that I can boldly open my casement. I long to hear something about Morrik; but whom can I ask.
The same day.