All such courses belong to the general field of the study of the classical languages as distinguished from the study of the literature, history, or any other phase of the classical civilization. This branch of language study, of course, includes such purely linguistic courses as those in Comparative Philology, Comparative Grammar, the Morphology of the Ancient Languages, Syntax, Dialects, etc.
Courses in literature
The bulk of classical teaching in American colleges is devoted to the literature. The great majority of all college courses in Latin and Greek have the same general characteristics.[[80]] A certain limited portion of text is assigned for preparation. This text is then translated by the students in class, and the translation corrected. Grammatical and exegetical questions and the content of the passage are discussed. Most of the time at each meeting of the class is consumed in such exercises. Generally lectures or informal talks are given by the instructor upon the life and personality of each author whose work is read, upon the life and thought of his times, upon the literary activity as a whole, and upon the value of those selections from his works which are the subject of the course. Sometimes the students are required to read more of the original literature than can be translated in class. Generally some collateral reading in English is assigned. Often the instructor reads to the class, usually from the original, other portions of the ancient literature.
The number and extent of such courses in the different institutions vary according to the strength of the faculty, the plan of the curriculum, and the number and demands of the students in each. In the main, however, the list of selections from the ancient literature presented in such courses in all the colleges is much the same. Many of these courses deal with one particular author and his works, such as Sophocles, Plato, Plautus, or Horace. Others deal with some particular kind of literature, such as Greek tragedy or oratory, Latin comedy, etc., or with a group of authors of different types combined for the sake of variety.[[81]]
Methods commonly pursued
The methods as well as the aims of such courses are well exemplified in the following passages contained in the Circular of Information for 1915-1916 of the University of Chicago, page 211: "Ability to read Greek with accuracy and ease, and intelligent enjoyment of the masterpieces of Greek literature are the indispensable prerequisites of all higher Greek scholarship. All other interests that may attach to the study are subordinate to these, and their pursuit is positively harmful if it prematurely distracts the student's attention from his main purpose."
It is not immediately apparent what distinction is made here, if there is any, between the "prerequisites" and the "main purpose" of classical scholarship. What the chief aim of classical teaching is according to this view, however, is made clear by the two paragraphs which follow, as well as by the descriptions of the individual courses offered by the Chicago faculty.
"In the work of the Junior Colleges the Department will keep this principle steadily in view, and will endeavor to teach a practical knowledge of Greek vocabulary and idiom, and to impart literary and historic culture by means of rapid viva voce translation and interpretation of the simpler masterpieces of the literature.... In the Senior Colleges the chief stress will be laid on reading and exegesis, but the range of authors presented to the student's choice will be enlarged."
Value of such courses
The advantage of such courses is that they make the students who take them familiar with at least some limited portions of the best of the ancient literature in its original form, and most people are agreed that this is the only way in which students can be taught to appreciate that part of this literature, the value of which lies chiefly or wholly in its form. But people are not agreed upon two most serious questions which arise in this connection. The first is whether all students are capable of appreciating at all literature of this sort, especially when it is conveyed in an ancient and difficult language. The other question is how much of the classical literature really depends for its values chiefly upon its form. To say that the Psalms and the Gospels have no value or little value for the world apart from the original form and language in which they were written would, of course, be absurd. Is it any less absurd to say that the study of the Homeric poems, the Attic tragedies, the works of Thucydides and Plato would have little value for students unless this literature were studied in the original language? These questions cannot properly be ignored any longer by teachers of the Classics.