"Bros!" snapped Carmelita with a jerk of her thumb in the direction in which the young person should be going.
A huge Turco, with a vast beard, brought his rolling swagger to a halt at her door and made to enter.
"Destour!" said the tiny Carmelita to the giant, pointed to the street and stared him unwaveringly in the eye until, grinning sheepishly, he turned and went.
Carmelita did not like Turcos in general, and detested this one in particular. He was too fond of coming when he knew the Café to be empty of Légionnaires.
An old Spanish Jew paused in his shuffle to ask for a cigarette.
"Varda!" replied Carmelita calmly, with the curious thumb-jerking gesture of negation, distinctive of the uneducated Italian.
A most cosmopolitan young woman, and able to give a little of his own tongue to any dweller in Europe and to most of those in Northern Africa. Not in the least a refined young woman, however, and her many accomplishments not of the drawing-room. Staunch, courageous, infinitely loving, utterly honest, loyal, reliable, and very self-reliant, she was, upon occasion, it is to be feared, more emphatic than delicate in speech, and more uncompromising than ladylike in conduct. She was not une maîtresse vierge, and her standards and ideals were not those of the Best Suburbs. You see, Carmelita had begun to earn her own living at the unusually early age of three, and earned it in coppers on a dirty rug, on a dirtier Naples quay, for a decade or so, until at the age of fourteen, or fifteen, she, together with her Mamma, her reputed Papa, her sister and her brother, performed painful acrobatic feats on the edge of the said quay for the delectation of the passengers of the big North German Lloyd and other steamers that tied up thereat for purposes of embarkation and debarkation, and for the reception of coal and the discharge of cargo.
At the age of fifteen, Carmelita, most beautiful of form and coarsely beautiful of face, of perfect health, grace, poise, and carriage, fell desperately in love with the great Signor Carlo Scopinaro, born Luigi Rivoli, a star of her own firmament but of far greater magnitude.
Luigi Rivoli, one of a troupe of acrobats who performed at the Naples Scala, Vésuvie, and Variétés, meditating setting up on his own account as Strong Man, Acrobat, Juggler, Wrestler, Dancer, and Professor of Physical Culture, was, to the humble "tumbler" of the quay, as the be-Knighted Actor-Manager of a West End Theatre to the last joined chorus girl, or walking-lady on his boards. And yet the great Signor Carlo Scopinaro, born Luigi Rivoli, meditating desertion from his troupe and needing an "assistant," deigned to accept the services and whole-souled adoration of the girl who was as much more skilful as she was less powerful than he.
When, in her perfect, ardent, and beautiful love, her reckless and uncounting adoration, she gave herself, mind, body and soul, to her hero and her god, he accepted the little gift "without prejudice"--as the lawyers say. "Without prejudice" to Luigi's future, that is.