During their short engagement at the Scala--terminated by the Troupe's earnest endeavour to assassinate the defaulting and defalcating Luigi, and her family's endeavour to maim Carmelita for setting up on her own account, and deserting her loving "parents"--it was rather the girl whom the public applauded for her wonderful back-somersaults, contortions, hand-walking, Catherine-wheels, trapeze-work, and dancing, than the man for his feats with dumb-bells of doubtful solidity, his stereotyped ball-juggling, his chain-breaking, and weight-lifting, his muscle-slapping and Ha! shouting, his posturing and grimacing, and his issuing of challenges to wrestle any man in the world for any sum he liked to name, and in any style known to science. And, when engagements at the lower-class halls and cafés of Barcelona, Marseilles, Toulon, Genoa, Rome, Brindisi, Venice, Trieste, Corinth, Athens, Constantinople, Port Said, Alexandria, Messina, Valetta, Algiers, Oran, Tangiers, or Casa Blanca were obtained, it was always, and obviously, the girl, rather than the man, who decided the proprietor or manager to engage them, and who won the applause of his patrons.
When times were bad, as after Luigi's occasional wrestling defeats and during the bad weeks of Luigi's typhoid, convalescence, and long weakness at Marseilles, it was Carmelita, the humbler and lesser light, who (the Halls being worked out) tried desperately to keep the wolf from the door by returning to the quay-side business, and, for dirty coppers, exhibiting to passengers, coal-trimmers, cargo-workers, porters and loafers, the performances that had been subject of signed contracts and given on fine stages in beautiful music-halls and cafés, to refined and appreciative audiences. Incidentally the girl learned much French (little knowing how useful it was to prove), as well as smatterings of Spanish, Greek, Turkish, English and Arabic.
So Carmelita had "assisted" the great Luigi in the times of his prosperity and had striven to maintain him in eclipse, by quay-side, public-house, workmen's dinner-hour, low café, back-yard, gambling-den, and wine-shop exhibitions of her youthful skill, grace, agility, and beauty--and had failed to make enough by that means. To the end of her life poor Carmelita could never, never forget that terrible time at Marseilles, try as she might to thrust it into the background of her thoughts. For there, ever there, in the background it remained, save when called to cruel prominence by some mischance, or at rare intervals by the noble Luigi himself, when displeased by some failure on the part of Carmelita. A terrible, terrible memory, for Carmelita's nature was essentially virginal, delicate, and of crystal purity. Where she loved she gave all--and Luigi was to Carmelita as much her husband as if they had been married in every church they had passed, in every cathedral they had seen, and by every padre they had met....
A terrible, terrible memory.... But Luigi's life was at stake and what true woman, asked Carmelita, would not have taken the last step of all (when every other failed) to raise the money necessary for doctors, medicine, delicacies, food, fuel, and lodging? If, by thrusting her right hand into the fire, Carmelita could have burnt away those haunting and corroding Marseilles memories, then into the fire her right hand would have been thrust. Yet, side by side with the self-horror and self-disgust was no remorse nor repentance. If, to-morrow, Luigi's life could only thus again be saved, thus saved should it be, as when at Marseilles he lay convalescent but dying for lack of the money wherewith to buy the delicacies that would save him.... Luigi's life always, and at any time, before Carmelita's scruples and shrinkings.
In return, Luigi had been kind to her and had often spoken of matrimony--some day--in spite of what she had done at Marseilles when he was too ill to look after her, and provide her with all she needed. Once even, when they were on the crest of a great wave of prosperity, Luigi had gone so far as to mention her seventeenth birthday as a possibly suitable date for their wedding. That had been a great and glorious time, though all too short, alas! and the sequel to a brilliant scheme devised by that poor dear Guiseppe Longigotto in the interests of his beloved and adored friend Carmelita. Poor Guiseppe! He had deserved as Carmelita was the first to admit, something better, than a stab in the back from Luigi Rivoli, for the idea had been wholly and solely his, until the great Roman sporting Impresario had taken it up and developed it. First there was a tremendous syndicate-engineered campaign of advertisement, which let all Europe know that Il Famoso e Piu Grande Professors Carlo Scopinaro, Champion Wrestler of Europe, America and Australia, would shortly meet the Egregious Egyptian, or Conquering Copt, Champion Wrestler of Africa and Asia, in Rome, and wrestle him in the Graeco-Roman style, for the World's Championship and ten thousand pounds a side. (Yes actually and authoritatively diecimila lire sterline.) From every hoarding in Rome, Venice, Milan, Turin, Genoa, Florence, Naples, Brindisi, and every other town in Italy, huge posters called your attention to the beauties and marvels of the smiling face and mighty form of the great Carlo Scopinaro; to the horrors and terrors of the scowling face and enormous carcase of the dreadful Conquering Copt. (To positively none but Luigi, Guiseppe, and the renowned Roman Impresario was it known that the Conquering Copt was none other than Luigi's old pal, Abdul Hamid, chucker-out at a Port Said music-hall, and most modest and retiring of gentlemen--until this greatness of Champion Wrestler of Africa and Asia was suddenly thrust upon him, and he was summoned from Port Said to Rome to be coached by Luigi in the arts and graces of realistic stage-wrestling, and particularly in those of life-like and convincing defeat after a long and obviously terrible struggle.) ... Excitement was splendidly engineered, the newspapers of every civilised country and of Germany advertised the epoch-making event, speculated upon its result, and produced interesting articles on such questions as, "Should a Colour-Line be drawn in Wrestling?" and, "Is Scopinaro the White Hope?" A self-advertising reverend Nonconformist announced his intention in the English press of proceeding to Rome to create a disturbance at the Match. He got himself frequently interviewed by specimens of the genus, "Our representative," and the important fact that he was a Conscientious Objector to all forms of sport was brought to the notice of the Great British Public.
The struggle was magnificently staged and magnificently acted. Every spectator in the vast theatre, no matter whether he had paid one hundred lire or a paltry fifty centesimi for his seat, felt that he had had his money's worth. In incredibly realistic manner the White Hope of Europe and the Champion of Africa and Asia struck attitudes, cried "Ha!", snatched at each other, stamped, straddled, pushed, pulled, embraced, slapped, jerked, hugged, tugged, lugged, and lifted each other with every appearance of fearful exertion, dauntless courage, fierce determination and unparalleled skill for one crowded hour of glorious life, during which the house went mad, rose at them to a man, and, with tears and imprecations, called upon the Italian to be worthy of his country and upon the Conquering Copt to be damned.
Few scenes in all the troubled history of Rome can have equalled, for excitement, that which ensued when the White Hope finally triumphed, the honour of Europe in general was saved, and that of Italy in particular illuminated with a blaze of glory.
Anyhow, what was solid fact, with no humbug about it, was that Luigi received the renowned Roman Impresario's fervid blessing and five hundred pounds, while the complacent Abdul received blessings equally fervid, though a less enthusiastic cheque. Both gentlemen were then provided by the kind Impresario with single tickets to the most distant spot he could induce them to name.
For Carmelita, the days following that on which her Luigi won the great World's Championship match, were a glorious time of expensive dinners, fine apartments, and beautiful clothes; a time of being café and music-hall patrons instead of performers; of being entertained instead of entertaining. The joy of Carmelita's life while the five hundred pounds lasted was to sit in a stage-box, proud and happy, beside her noble Luigi, and criticise the various "turns" upon the stage. Never an evening performance, nor a matinée did they miss, and Luigi drank a quart of champagne at lunch, and another at dinner. Luigi must keep his strength up, of course, and the soothing influence of innumerable Havana cigars was not denied to his nerves.
And then, just as the five hundred pounds was finished, a wretched Russian (quickly followed by an American, two Russians, a Turk, a Frenchman, and an Englishman) publicly challenged Luigi in the press of Europe, to wrestle for the Championship of the World in any style he liked, for any amount he liked, when and where he liked--and that branch of his profession was closed to Luigi--for these men were giants and terrors, arranging no "crosses," stern fighters, and out for fame, money, genuine sport, and the real Championship.