Then had come a time of poverty, straits, mean shifts and misery, followed by Luigi's job as a "tamer" of tame lions. This post of lion-tamer to a cageful of mangy, weary lions, captive-born, pessimistic, timid and depressed, had been secured by Guiseppe Longigotto, and handed over to Luigi (on its proving safe and satisfactory), in the interests of Giuseppe's adored and hungry Carmelita. Arrayed in the costume worn by all the Best Lion-tamers, Luigi looked a truly noble figure, as, with flashing eyes and gleaming teeth, he cracked the whip and fired the revolver that induced the bored and disgusted lions to amble round the cage, crouching and cringing in humility and fear. That insignificant little rat, Guiseppe, was far more in the picture, of course, as fiddler to the show, than he was in his original role of tamer of the lions. Followed a bad time along the African coast, culminating, at Algiers, in poor Guiseppe's impassioned pleadings that Carmelita would marry him (and, leaving this dreadful life of the road, live with him and his beautiful violin on the banked proceeds of his great Wrestling Championship scheme), Luigi's jealousy, his overbearing airs of proprietorship, his drunken cruelty, his presuming on her love and obedience to him until she sought to give him a fright and teach him a lesson, his killing of the poor, pretty musician, and his flight to Sidi-bel-Abbès....
To Sidi-bel-Abbès also fled Carmelita, and, with the proceeds of Guiseppe's dying gift to her, eked out by promises of many things to many people, such as Jew and Arab lessors and landlords, French dealers, Spanish-Jew jobbers and contractors, and Negro labourers, contrived to open La Café de la Légion, to run it with herself as proprietress, manageress, barmaid, musician, singer, actress, and danseuse, and to make it pay to the extent of a daily franc, bottle of Chianti, and a macaroni, polenta, or spaghetti meal for Luigi, and a very meagre living for herself. When in need of something more, Carmelita performed at matinées at the music-hall and at private stances in Arab and other houses, in the intervals of business. When professional dress would have rendered her automatic pistol conspicuous and uncomfortable, Carmelita carried a most serviceable little dagger in her hair. Also she let it be known among her patrons of the Legion that she was going to a certain house, garden, or café at a certain time, and might be there enquired for if unduly delayed. Carmelita knew the seamy side of life in Mediterranean ports, and African littoral and hinterland towns, and took no chances....
And by-and-by her splendid and noble Luigi would marry her, and they would go to America--where that little matter of manslaughter would never crop up and cause trouble--and live happily ever after.
So, faithful, loyal, devoted, Carmelita might be; generous, chaste, and brave, Carmelita might be--but alas! not refined, not genteel, not above telling a Chasseur d'Afrique what she thought of him and his insults; not above spitting at a leering, gesture-making Spahi. No lady....
"Ben venuti, Signori!" cried Carmelita on catching sight of Il Signor Jean Boule and the Bucking Bronco. "Soyez le bien venu, Monsieur Jean Boule et Monsieur Bronco. Che cosa posso offrirvi?" and, as they seated themselves at a small round table near the bar, hastened to bring the wine favoured by these favoured customers--the so gentle English Signor, gentilhomme, (doubtless once a milord, a nobile), and the so gentle, foolish Americano, so slow and strong, who looked at her with eyes of love, kind eyes, with a good true love. No milordino he, no piccol Signor (but nevertheless a good man, a uomo dabbéne, most certainly...)
Reginald Rupert was duly presented as Légionnaire Rupert, with all formality and ceremony, to the Madamigella Carmelita, who ran her bright, black eye over him, summed him up as another gentiluomo, an obvious gentilhomme, pitied him, and wondered what he had "done."
Carmelita loved a "gentleman" in the abstract, although she loved Luigi Rivoli in the concrete; adored aristocrats in general, in spite of the fact that she adored Luigi Rivoli in particular. To her experienced and observant young eye, Légionnaire Jean Boule and this young bleu were of the same class, the aristocratico class of Inghilterra; birds of a feather, if not of a nest. They might be father and son, so alike were they in their difference from the rest. So different even from the English-speaking Americano, so different from her Luigi. But then, her Luigi was no mere broken aristocrat; he was the World's Champion Wrestler and Strong Man, a great and famous Wild Beast Tamer, and--her Luigi.
"Buona sera, Signor," said Carmelita to Rupert. "Siete venuto per la via di Francie?" and then, in Legion-French and Italian, proceeded to comment upon the new recruit's appearance, his capetti riccioluti and to enquire whether he used the calamistro and ferro da ricci to obtain the fine crisp wave in his hair.
Not at all a refined and ladylike maiden, and very, very far from the standards of Surbiton, not to mention Balham.
Reginald Rupert (to whom love and war were the two things worth living for), on understanding the drift of the lady's remarks, proposed forthwith "to cross the bar" and "put out to see" whether he could not give her a personal demonstration of the art of hair-curling, but--