And then came one of sweet and earnest looks,
Whose soft smiles to his dark and night-like eyes
Were as the clear and ever-living brooks _20
Are to the obscure fountains whence they rise,
Showing how pure they are: a Paradise
Of happy truth upon his forehead low
Lay, making wisdom lovely, in the guise
Of earth-awakening morn upon the brow _25
Of star-deserted heaven, while ocean gleams below.
His song, though very sweet, was low and faint,
A simple strain—
…
A mighty Phantasm, half concealed
In darkness of his own exceeding light, _30
Which clothed his awful presence unrevealed,
Charioted on the … night
Of thunder-smoke, whose skirts were chrysolite.
And like a sudden meteor, which outstrips
The splendour-winged chariot of the sun, _35
… eclipse
The armies of the golden stars, each one
Pavilioned in its tent of light—all strewn
Over the chasms of blue night—
***
HELLAS
A LYRICAL DRAMA.
MANTIS EIM EZTHLON AGONUN.—OEDIP. COLON.
[“Hellas” was composed at Pisa in the autumn of 1821, and dispatched
to London, November 11. It was published, with the author’s name, by
C. & J. Ollier in the spring of 1822. A transcript of the poem by
Edward Williams is in the Rowfant Library. Ollier availed himself of
Shelley’s permission to cancel certain passages in the notes; he also
struck out certain lines of the text. These omissions were, some of
them, restored in Galignani’s one-volume edition of “Coleridge,
Shelley and Keats”, Paris, 1829, and also by Mrs. Shelley in the
“Poetical Works”, 1839. A passage in the “Preface”, suppressed by
Ollier, was restored by Mr. Buxton Forman (1892) from a proof copy of
“Hellas” in his possession. The “Prologue to Hellas” was edited by Dr.
Garnett in 1862 (“Relics of Shelley”) from the manuscripts at Boscombe
Manor.