Fig. 6.—Restoration of the Temple at Nippur. (After Hilprecht and Fisher.)

Of the temple erected by Gudea to the honour and glory of his god Nin-girsu, we know comparatively little beyond what he tells us, but from his account, it was evidently very elaborate, for it contained chambers for the priests, treasure-houses, granaries, and enclosures for the various sacrificial victims. In later times there appear to have been two general types of temple in vogue in Babylonia, the one having a staged tower as its characteristic feature, the other being distinguished by its absence. Of the latter type, we have a good example in the temple of Nin-makh at Babylon, excavated by the Deutsche Orient-Gesellschaft. The goddess Nin-makh had been venerated as early as the first dynasty of Lagash, for in Entemena’s time temples were already erected in her honour. Her temple at Babylon was made chiefly of sun-dried bricks, the four corners being oriented towards the four points of the compass as usual: it comprised a courtyard, as well as a number of rooms some of which were painted, and traces of white decoration were still visible. Apparently a vestibule led into a courtyard or hall, around which were situated various rooms and halls, and into which they also opened. The inner courtyard offers a point of contrast with the Assyrian temple at Nimrûd, which has no such interior hall. Near the ruins of this temple was the famous Ishtar-gate, the sides of which were formed of massive walls which were found still preserved to the height of thirty-nine feet. These walls were decorated with reliefs on enamelled bricks representing animals of both normal and abnormal character. There were apparently at least eleven rows of these reliefs portraying bulls or dragons one above the other.

PLATE XI

Water Conduit of Ur-Engur: Nippur
(From C. S. Fisher’s “Excavations at Nippur,” by permission)

But of all Babylonian temples, that of E-temen-an-ki built by Nebuchadnezzar king of Babylon upon the site of an ancient shrine, is by far the most famous. This temple is called by Herodotus (I, 181) the temple of Belus, and it was undoubtedly a very magnificent building both in point of size as well as in point of splendour. Herodotus in his description states that it was formed of a solid block of masonry, upon which was superimposed another block of smaller size, and so on till there were finally eight blocks in all, the first or lowest however, was simply the foundation of the whole ziggurat, and is not to be regarded as a “stage” at all; it was accordingly a perfect seven-staged tower, the topmost block of which supported a shrine. The summit was reached by means of an ascent going round the structure. According to the late George Smith, whose estimates were based on a Babylonian description contained in a tablet at one time in his possession, the height was 300 feet, the sides of its square base being of the same dimensions; the second storey measured 260 feet square and its height was 60 feet. The third, fourth and fifth storeys were each 20 feet high, and measured 200, 170 and 140 feet square respectively. The variation in height of the different stages forms a point of contrast with the regularity exhibited by the ziggurat at Khorsabad, of which the remains of four stages are still to be seen. Concerning the sixth stage the Babylonian tablet was apparently silent, while the top storey supporting the sanctuary of the god was stated to have measured 80 × 70 feet, and to have been 50 feet high. The seven stages without doubt at one time shone with the seven planetary colours, as was the case with the seven-staged tower at Khorsabad, on the lower remaining stages of which the colours were still found, the order of the colours being, white for the lowest stage, black for the next, while the succeeding storeys were painted blue, yellow, silver, and gold. The ziggurat was surrounded by an enclosure, some 400 yards square, the ingress and egress to which was by means of bronze gates. A double-winged building on the west, presumably the shrine of the god, contained a couch of gold and a throne with steps also of gold, while the temple further contained an image of the god himself, made of solid gold. The Babylonian account informs us that the temple comprised two oblong courts, one within the other, the building as a whole consisting in a series of sanctuaries, although of course the most conspicuous and therefore perhaps the most important element in its composition, was the ziggurat.

But Nebuchadnezzar’s building operations were not confined to the erection of a temple in honour of Belus: he rebuilt or restored the great walls of the city of Babylon, Imgur-Bêl and Nimitti-Bêl, he constructed temples for Shamash the Sun-god at Sippar and Larsa, both of which cities had been ancient centres of the cult of this god, while in Babylon he erected a temple to the goddess Nin-makh. At Borsippa (Birs-Nimrûd), he bestowed much attention and care upon the ancient shrine of Nebo, and his work on this site has been identified by some scholars with the magnificent temple described above, to which Herodotus refers at such length, though as Hommel and Pinches both point out, the distance of Borsippa from Babylon is rather against the identification. On the other hand at Borsippa there are the remains of what once may well have been the magnificent temple in question, while at the city of Babylon itself no such remains are to be seen; and in regard to the objection raised to the identification of these remains with the famous temple of Belus on the ground that Borsippa was too far distant, it must be recollected that we do not really know how far the city extended, whether in fact it may not have even included Borsippa within its boundaries, for, according to Herodotus, the circuit of the city measured some fifty-six miles. Nebuchadnezzar’s own account of his architectural achievements is inscribed on a number of barrel-shaped clay cylinders and on the well-known East India House Inscription.

The Assyrian temples seem for the most part to have conformed to the same general type as that prevalent in Babylonia. One of the earliest explored, and at present perhaps the most famous, is that excavated by Layard at Nimrûd (Calah).[62] It consisted in an outer courtyard, from which the worshipper entered into a vestibule measuring 46 feet by 19 feet,[63] beyond which there was a side chamber and a hall 47 feet long and 31 feet broad, ending in a recess paved with a huge alabaster slab, 21 feet long, 16 feet 7 inches broad and 1 foot 1 inch thick, in which was probably set the image of the god; many stone slabs of a religious character were found within, while upon the stone pavement a history of the reign of Ashur-naṣir-pal was inscribed. The main entrance was decorated and protected with winged human-headed lions 16-1/2 feet high and 15 feet long, whose rôle of guardianship at the portals of the king’s palace is thus exchanged for a yet higher and more exalted position of trust, while the entrance into the side room was covered with reliefs portraying the god in the act of expelling a malicious demon. The side entrance was thirty feet to the right of the main entrance, and the chamber into which it led was connected by two corridors with the vestibule and the main hall. It was to the right of this smaller entrance that the famous arch-topped monolith of Ashur-naṣir-pal was discovered (cf. Pl. [III]). A short distance from the building just described, and on the very edge of the artificial platform, another temple was discovered. The entrance was guarded by two colossal lions (cf. Pl. [XXVI]), 8 feet high and 13 feet long, and the gateway which was about 8 feet wide was paved with one inscribed slab. In front of the lions were two altars similar to the altar in the Khorsabad relief reproduced in Fig. [14], C. The gateway led into a room 57 feet long and 25 feet broad, ending in a recess paved with an enormous alabaster slab inscribed on both sides and measuring 19-1/2 feet by 12 feet. It was in this temple that the statue of Ashur-naṣir-pal was discovered (cf. Pl. [XXIV]).

The resemblance which the staged towers of Mesopotamia bear to the pyramids of Egypt naturally led to an interrogation as to whether they resembled them also in regard to the use to which they were put. Accordingly Layard endeavoured to answer the question, which had already been categorically answered by Ctesias and Ovid, by making cuttings in a ziggurat at Nimrûd with a view to ascertaining whether they contained voids in which the bodies of kings or heroes might have at one time been deposited, whether in fact the ziggurats were primarily tombs like the pyramids of Miṣraim. The possibility of such being the case was proved by the discovery of a vault, on a level with the platform itself, measuring 100 feet in length, 6 feet in breadth and 12 feet in height, though if this had actually been the last resting-place of a departed king, it had been completely rifled. Of the ziggurat in question, but one storey remained, protected by a massive facing of stone, and about twenty feet high; the stones seem to have been laid together without any mortar, as was so often the case in Assyrian masonry.

Another excellent example of an Assyrian temple is the Anu-Adad temple at Ashur, recently excavated by the Deutsche Orient Gesellschaft. The code of Khammurabi shows that this city was in existence at all events as early as his time, and the German excavations have proved that it did not lose its importance when the seat of government was removed thence to Calah (Nimrûd) about 1300 B.C., but on the contrary continued to be a royal city and maintained its importance till the seventh century B.C., and possibly later.