At last we approach a gate with a martial sentry in front of it. The password is given, and we are at last at home. In the courtyard, on the edge of the grass, are a number of lanterns. Large and yellow, they look like melons. The effect is charming, but as they give but very indifferent light, I can only distinctly discern some pillars and arches. Now we pass through some open halls and reach a garden-like square. To the right and left from the windows of small summer-houses the light of candles filters through. In front is another building in the same style, a few columns supporting a heavy roof; the columns are of red lacquered wood, and the tiles of emerald-green. Beyond this is another garden, and lastly the legation proper. The door is open and the hall ablaze with light. On the broad staircase are servants in red—pigtailed Chinese, dressed after the fashion of their country. They salute us, bowing low, with their hands folded.
The scene is interesting, the setting fine. By the light of the lanterns the roof of the old yamen appears even more gabled than it is, and its eaves the more bizarre than in reality. At last I have before me a truly Chinese picture, thousands of years old, artistic and brilliant. But the scene quickly changes as we go inside, and from the past we come to the present, from Oriental surroundings we step into a Western interior.
*****
The rays of the rising sun wake me as they burst brightly into the courtyard of the yamen, filtering, rosy-coloured, through the embrasures of the crenellated walls.
My quarters have a verandah looking upon a small courtyard, the pillars of which are of ruby lacquer, its roof of emerald glaze. In the yard are many flowers planted in old china vases. Four cedars, ages old, stand in the corners, and their branches form a lovely shady tent under the canopy of a morning sky. The branches of the old trees and the eaves are swarming with birds which awake with me, and merry with their songs.
On opening my eyes I scarcely know whether I am awake or still dreaming. It takes me some time to realize my surroundings. In the little garden some one is noiselessly crossing the grass in paper shoes. He wears a light blue kaftan over a white tunic, and the colours harmonize well, for this slate-blue suits his yellow complexion, and a long pigtail hangs down his back.
This is reality. I am indeed in the Flowery Land. I am actually awaking in Pekin.
II
THE FIRST DRIVE THROUGH THE TOWN
It is eight o'clock in the evening. I have just returned from Pei-tang; it takes nearly an hour to come from there. And what a road! Imagine a brilliant stereoscope with living figures rushing forward upon you as you gaze—a gigantic kaleidoscope in which, among multitudinous and dazzling fragments a heap of ants are busy. And if we look at these through a magnifying glass, the effect will be somewhat similar to one's first impression of Pekin. Bedlam, uproar, chaos; and all this half concealed by a veil of whirling dust. It would be difficult to recount what I have seen, and even more difficult to explain what my sensations were. I was amazed by the brilliant spectacle.
It is early in the morning when I set out on my exploring expedition. From the street in which the legation stands we suddenly turn into the grand Imperial Square. The yellow-roofed palace in front of us may be called the focus of Pekin, nay, the centre of the whole Yellow Empire, for every road leads thither.