A bridge of white marble across the reeds and lotus gives access to the Island of Jade. Both ends of the bridge are guarded, needless to say, by marble monsters who leer and squint at any one who has the audacity to pass. The shores of the island rise abruptly underneath the cedar branches, and one begins immediately to climb by means of steps and rock-cut paths. Among the severe trees is a series of marble terraces with bronze incense-burners and occasional pagodas, out of whose obscurity enormous golden idols shine forth.
This Island of Jade, on account of its position of strategic importance, is under military occupation by a company of our marines.
As there is no shelter other than the pagodas, and no camp beds other than the sacred tables, our soldiers have had to put out of doors the entire population of secondary gods in order to make room to lie down on the beautiful red tables at night, and have left only the big, solemn idols on their thrones. So here they are by the hundreds, by the thousands, lined up on the white terraces like playthings. Inside the temples the guns of our men are lying about, and their blankets and their clothing hang on the walls, all around the big idols who have been left in their places. What a heavy smell of leather they have already introduced into these closed sanctuaries, accustomed only to the odor of sandalwood and incense!
Through the twisted branches of the cedars the horizon, which is occasionally visible, is all green, turning to an autumn brown. It is a wood, an infinite wood, out of which here and there roofs of yellow faience emerge. This wood is Pekin; not at all as one imagines it, but Pekin seen from the top of a very sacred place where no Europeans were ever allowed to come.
The rocky soil grows thinner and thinner as one rises toward the "big devil of China," as one approaches the peak of the isolated cone known as the Island of Jade.
This morning I meet, as I climb, a curious band of pilgrims who are coming down; they are Lazarist missionaries in mandarin costume, wearing long queues. With them are several young Chinese Catholic priests who seem frightened at being there; as though, in spite of the Christianity superimposed upon their hereditary beliefs, they were committing some sacrilege by their very presence in so forbidden a spot.
At the foot of the dungeon which crowns these rocks is the kiosk of faience and marble where the "big devil" dwells. It is high up on a narrow terrace in the pure, clear air, from which one overlooks a mass of trees scarcely veiled to-day by the usual mist of dust and sun.
I enter the kiosk where the "big devil" stands, the sole guest of this aerial region. Oh, horrible creature that he is! He is of superhuman size, cast in bronze. Like Shiva, god of death, he dances on dead bodies; he has five or six atrocious faces whose multiplied grins are almost intolerable; he wears a collar of skulls, and is gesticulating with forty arms that hold instruments of torture or heads severed from their bodies.
Such is the protecting divinity chosen by the Chinese to watch over this city, and placed high above all their pyramidal faience roofs, high above all their pagodas and towers, as we in times of faith would have placed the Christ or the Blessed Virgin. It is a tangible symbol of their profound cruelty, the index of the inexplicable cleft in the brain of these people ordinarily so tractable and gentle, so open to the charm of little children and of flowers, but who are capable all at once of gleefully becoming executioners and torturers of the most horrible description.