The workman in our picture is Johnny Moores, an old-time expert hand-spinner, who could walk off backward from the wheel with his wad of hemp, spinning with each hand a thread as fine and even as could be asked for. In the photograph, in order to show the process more clearly, one large yarn is being spun.
The large wheel, usually turned by a boy, is used to convey power to the “whirls” or small spindles carrying hooks upon which the fiber is fastened. These whirls, revolving, give the twist to the yarn as the spinner deftly pays out the fiber, regulating it with skillful fingers to preserve the uniformity and proper size of the yarn. As he goes backward down the long walk through the “squares of sunlight on the floor” he throws the trailing yarns over the “stakes” placed at intervals along the walk for the purpose.
The spinning “grounds” were usually arranged with wheels at either end, so that spinners, reaching the farther end, could go back to their starting point spinning another set of yarns.
HAND SPINNING
Then, in the case of small ropes, the strands could be made by attaching two or more yarns to the “whirl” and twisting them together, reversing the motion to give the strands a twist opposite to that given the yarns. These strands were twisted together, again reversing the motion, making a rope. Thus it will be seen that, reduced to its lowest terms, rope-making consists simply of a series of twisting processes. The twisting of the yarns into the strand is known as “forming” or putting in the “foreturn.” The final process is “laying,” “closing” or putting in the “afterturn.” Horse power was used in old times for forming and laying rope which was too large to be made by hand.
PILGRIM HALL, PLYMOUTH
Part II
