But all the Italian humanists were not pagans. There arose at Florence, partly under the influence of the revival of Greek, partly under that of Savonarola, a group of earnest young men who sought to invigorate Christianity by infusing into it the doctrines of Plato. The leaders of this Neo-Platonic Academy, Pico della Mirandola [Sidenote: Pico della Mirandola, 1462-94] and Marsiglio Ficino, sought to show that the teachings of the Athenian and of the Galilean were the same. Approaching the Bible in the simple literary way indicated by classical study, Pico really rediscovered some of the teachings of the New Testament, while in dealing with the Old he was forced to adopt an ingenious but unsound allegorical interpretation. "Philosophy seeks the truth," he wrote, "theology finds it, religion possesses it." His extraordinary personal influence extended through {52} lands beyond the Alps, even though it failed in accomplishing the rehabilitation of Italian faith.
[Sidenote: Faber Stapulensis, c. 1455-1536]
The leader of the French Christian Renaissance, James Lefèvre d'Étaples, was one of his disciples. Traveling in Italy in 1492, after visiting Padua, Venice and Rome, he came to Florence, learned to know Pico, and received from him a translation of Aristotle's Metaphysics made by Cardinal Bessarion. Returning to Paris he taught, at the College of Cardinal Lemoine, mathematics, music and philosophy. He did not share the dislike of Aristotle manifested by most of the humanists, for he shrewdly suspected that what was offensive in the Stagyrite was due more to his scholastic translators and commentators than to himself. He therefore labored to restore the true text, on which he wrote a number of treatises. It was with the same purpose that he turned next to the early Fathers and to the writer called Dionysius the Areopagite. But he did not find himself until he found the Bible. In 1509 he published the Quintuplex Psalterium, the first treatise on the Psalms in which the philological and personal interest was uppermost. Hitherto it had not been the Bible that had been studied so much as the commentaries on it, a dry wilderness of arid and futile subtlety. Lefèvre tried to see simply what the text said, and as it became more human it became, for him, more divine. His preface is a real cry of joy at his great discovery. He did, indeed, interpret everything in a double sense, literal and spiritual, and placed the emphasis rather on the latter, but this did not prevent a genuine effort to read the words as they were written. Three years later he published in like manner the Epistles of St. Paul, with commentary. Though he spoke of the apostle as a simple instrument of God, he yet did more to uncover his personality than any of the previous {53} commentators. Half mystic as he was, Lefèvre discovered in Paul the doctrine of justification by faith only. To I Corinthians viii, he wrote: "It is almost profane to speak of the merit of works, especially towards God. . . . The opinion that we can be justified by works is an error for which the Jews are especially condemned. . . . Our only hope is in God's grace." Lefèvre's works opened up a new world to the theologians of the time. Erasmus's friend Beatus Rhenanus wrote that the richness of the Quintuplex Psalter made him poor. Thomas More said that English students owed him much. Luther used the two works of the Frenchman as the texts for his early lectures. From them he drew very heavily; indeed it was doubtless Lefèvre who first suggested to him the formula of his famous "sola fide."
The religious renaissance in England was led by a disciple of Pico della Mirandola, John Colet, [Sidenote: Colet, d. 1519] a man of remarkably pure life, and Dean of St. Paul's. He wrote, though he did not publish, some commentaries on the Pauline epistles and on the Mosaic account of creation. Though he knew no Greek, and was not an easy or elegant writer of Latin, he was allied to the humanists by his desire to return to the real sources of Christianity, and by his search for the historical sense of his texts. Though in some respects he was under the fantastic notions of the Areopagite, in others his interpretation was rational, free and undogmatic. He exercised a considerable influence on Erasmus and on a few choice spirits of the time.
The humanism of Germany centered in the universities. At the close of the fifteenth century new courses in the Latin classics, in Greek and in Hebrew, began to supplement the medieval curriculum of logic and philosophy. At every academy there sprang up a circle of "poets," as they called themselves, often of {54} lax morals and indifferent to religion, but earnest in their championship of culture. Nor were these circles confined entirely to the seats of learning. Many a city had its own literary society, one of the most famous being that of Nuremberg. Conrad Mutianus Rufus drew to Gotha, [Sidenote: Mutian, 1471-1526] where he held a canonry, a group of disciples, to whom he imparted the Neo-Platonism he had imbibed in Italy. Disregarding revelation, he taught that all religions were essentially the same. "I esteem the decrees of philosophers more than those of priests," he wrote.
[Sidenote: Reuchlin, 1455-1522]
What Lefèvre and Colet had done for the New Testament, John Reuchlin did for the Old. After studying in France and Italy, where he learned to know Pico della Mirandola, he settled at Stuttgart and devoted his life to the study of Hebrew. His De Rudimentis Hebraicis, [Sidenote: 1506] a grammar and dictionary of this language, performed a great service for scholarship. In the late Jewish work, the Cabbala, he believed he had discovered a source of mystic wisdom. The extravagance of his interpretations of Scriptual passages, based on this, not only rendered much of his work nugatory, but got him into a great deal of trouble. The converted Jew, John Pfefferkorn, proposed, in a series of pamphlets, that Jews should be forbidden to practise usury, should be compelled to hear sermons and to deliver up all their Hebrew books to be burnt, except the Old Testament. When Reuchlin's aid in this pious project was requested it was refused in a memorial dated October 6, 1510, pointing out the great value of much Hebrew literature. The Dominicans of Cologne, headed by their inquisitor, James Hochstraten, made this the ground for a charge of heresy. The case was appealed to Rome, and the trial, lasting six years, excited the interest of all Europe. In Germany it was argued with much heat in a host of {55} pamphlets, all the monks and obscurantists taking the side of the inquisitors and all the humanists, save one, Ortuin Gratius of Cologne, taking the part of the scholar. The latter received many warm expressions of admiration and support from the leading writers of the time, and published them in two volumes, the first in 1514, under the title Letters of Eminent Men. It was this that suggested to the humanist, Crotus Bubeanus, the title of his satire published anonymously, The Letters of Obscure Men. In form it is a series of epistles from monks and hedge-priests to Ortuin Gratius. [Sidenote: Epistolae Obscurorum Virorum]
Writing in the most barbarous Latin, they express their admiration for his attack on Reuchlin and the cause of learning, gossip about their drinking-bouts and pot-house amours, expose their ignorance and gullibility, and ask absurd questions, as, whether it is a mortal sin to salute a Jew, and whether the worms eaten with beans and cheese should be considered meat or fish, lawful or not in Lent, and at what stage of development a chick in the egg becomes meat and therefore prohibited on Fridays. The satire, coarse as it was biting, failed to win the applause of the finer spirits, but raised a shout of laughter from the students, and was no insignificant factor in adding to contempt for the church. The first book of these Letters, published in 1515, was followed two years later by a second, even more caustic than the first. This supplement, also published without the writer's name, was from the pen of Ulrich von Hutten.
[Sidenote: Hutten, 1488-1523]
This brilliant and passionate writer devoted the greater part of his life to war with Rome. His motive was not religious, but patriotic. He longed to see his country strong and united, and free from the galling oppression of the ultramontane yoke. He published Valla's Donation of Constantine, and wrote epigrams on the popes. His dialogue Fever the First is a {56} vitriolic attack on the priests. His Vadiscus or the Roman Trinity [Sidenote: 1520] scourges the vices of the curia where three things are sold: Christ, places and women. When he first heard of Luther's cause he called it a quarrel of monks, and only hoped they would all destroy one another. But by 1519 he saw in the Reformer the most powerful of allies against the common foe, and he accordingly embraced his cause with habitual zeal. His letters at this time breathe out fire and slaughter against the Romanists if anything should happen to Luther. In 1523, he supported his friend Francis von Sickingen, in the attempt to assert by force of arms the rights of the patriotic and evangelic order of knights. When this was defeated, Hutten, suffering from a terrible disease, wandered to Switzerland, where he died, a lonely and broken exile. His epitaph shall be his own lofty poem: