It is true that we in America are living in a glass house to some extent in these matters, but where in all Germany is there any modern sculpture to compare with our Nathan Hale, our Minute Man, and that most spirited bit of modern plastic art in all the world, the Shaw Monument in Boston? You cannot stand in front of it without keeping time, and here lips of bronze sing the song of patriotism till your heart thumps, and you are ready to throw up your hat as the splendid young figure and his negro soldiers march by - and they do march by! It is almost a consolation for what Boston has done to that gallant soldier and humble servant of God, that modest gentleman, Phillips Brooks. In a statue to him they have travestied the virtues he expounded, slain the ideal of the Christ he preached, theatricalized the least theatrical of men, and placed this piece of mortifying misunderstanding in bronze under the very eaves of the house that grew out of his simple eloquence. There is in Leipsic a similar misdemeanor in a statue of Beethoven. He sits, naked to the waist, in a bronze chair, with a sort of bath-towel drapery of colored marble about his legs, and an eagle in front of him. He has a chauffeurish expression of anxious futility, as though he were about to run over the eagle.

Men are without great dreams in these days, and art is elaborate and fussy and self-conscious. The technical part of the work is predominant. One sees the artist holding up a mirror to himself as he works. Pygmalion congratulates the statue upon the fact that he carved it, instead of being lost in the love of creating. It is as though a lover should sing of himself instead of singing of his lady. The subtle poison of self-advertisement has crept in, and peers like a satyr from the picture and from the statue. Even the most prominent name in German music at this writing is that of a man who is notorious as an expert salesman of symphonic sensationalism.

Though the streets are so well kept, the buildings in these miles of new streets are flimsy-looking, and evidently the work of the speculative builder. The more pretentious buildings ape a kind of Nuremberg Renaissance style, and are as effective as a castle made of cardboard. This does not imply that there are not simple and solid buildings in Berlin and, in the case of the new library and a score of other buildings, worthy architecture; but the general impression is one of haste multiplied by plaster.

The whole city blossoms with statuary, like a cosmopolitan ’Arriet who cannot get enough flowers and feathers on her Sunday hat. A certain comic anthropomorphism is to be seen, even on the balustrades of the castle, where the good Emperor William is posed as Jupiter, the Empress Augusta as Juno, Emperor Frederick as Mars, and his wife as Minerva! On the façades of houses, on the bridges, on the roofs of apartment houses, on the hotels even, and scattered throughout the public gardens, are scores of statues, and they are for the most part what hastily ordered, swiftly completed art, born of the dollar instead of the pain and travail of love and imagination, must always be.

A certain literary snob taken to task by Doctor Parr for pronouncing the one-time capital of Egypt “Alexandria,” with the accent on the long i, quoted the authority of Doctor Bentley. “Doctor Bentley and I,” replied Doctor Parr, “may call it ‘Alexandria,’ but I should advise you to call it ‘Alexandrïa.’ ” It was all very well for the Medici, to ornament their cities and their homes with the fruit of the great artistic springtime of the world, but I should strongly advise the Berliners to pronounce it “Alexandria” for some years to come. No matter how fervid the lover, nor how possessed he may be by his mistress, he cannot turn out every day, even,

“A halting sonnet of his own poor brain,
Fashion’d to Beatrice.”

All this pretentious over-ornamentation is cosmeticism, the powder and paint of the vulgarian striving to conceal by a futile advertisement her lack of refinement. Paris was teaching the world when there was no capital in Germany; London has been a commercial centre for a thousand years, and Oxford was a hundred years old before even the University of Prague, the first in Germany, was founded by Charles IV in 1348. You may like or dislike these cities, but, at any rate, they have a bouquet; Berlin has none.

When Germany deals with the inanimate and amenable factors of life, she brings the machinery of modern civilization well-nigh to the point of perfection. As a municipal and national housewife she has no equal, none. But art has nothing to do with brooms and dust-pans, and human nature is woven of surprises and emergencies, and what then? An interesting example in the streets of Berlin is the difference between the perfection of the street-cleaning, which deals with the inanimate and with accurately calculable factors, and the governing of the street traffic. Horses and men and motor-driven vehicles are not as dependable as blocks of pavement. When the traffic in the Berlin streets grows to the proportions of London, Paris, and New York, one wonders what will happen. Nowhere are there such broad, well-kept streets in which the traffic is so awkwardly handled.

The police are all, and must be, indeed, noncommissioned officers of the army, of nine years service, and not over thirty-five years of age. They are armed with swords and pistols by night, and in the rougher parts of the town with the same weapons by day as well. After ten years service they are entitled to a pension of twenty-sixtieths of their pay, with an increase of one-sixtieth for each further year of service. They are not under the city, but under state control, and the chief of police is a man of distinction, nearly always a nobleman, and nominated by, and in every case approved by, the Emperor. In Berlin he is appointed by the King of Prussia. He is a man of such standing that he may be promoted to cabinet rank. The men are well-turned out, of heavy build, very courteous to strangers, so far as my experience can speak for them, and quiet and self-controlled. Under the police president are one colonel of police, receiving from 6,000 to 8,500 marks, according to his length of service; 3 majors, receiving from 5,400 to 6,600 marks; 20 captains, receiving from 4,200 to 5,400 marks; 156 lieutenants, receiving from 3,000 to 4,500 marks; 450 sergeants, receiving from 1,650 to 2,300 marks; and 5,382 patrolmen, receiving from 1,400 to 2,100 marks. There are also some 300 mounted police, receiving from 1,400 to 2,600 marks. The colonel, majors, and captains receive 1,300 marks additional, and the lieutenants 800 marks additional, for house rent. The mounted police are well-horsed, but it is no slight to them to say, however, that their horses are not so well trained and well mannered, nor the men such skilful horsemen, as those of our mounted squad in New York, who, man for man and horse for horse, are probably unequalled anywhere else in the world.

The demand for these non-commissioned officers of nine years of army discipline, who cannot be called upon to serve in the army again, has grown with the growth of the great city, with its need of porters, watchmen, and the like, and so valuable are their services deemed that the present police force of Berlin is short of its proper number by some seven hundred men.