First. Endeavour to distinguish the Notes of a Peal of Bells, one from another while Ringing.

Secondly, Learn to apprehend the Places of the Notes.

Thirdly, Understand the Precendency of Notes.

Fourthly, How to make a Change in Ringing.

Fifthly, and Lastly. How to Practise the four fore-going Notions in General.

1. To know the Notes of a Peal of Bells asunder (which is easy in Round-Ringing) in Changes is thus: Get the skill of Tuning them with your Voice, by imitating their Notes while Ringing. Or if you are acquainted, either by your self or Friend, with some Singing-master, or one who has skill in Singing, get him to instruct you in the true Pitch of any Note, and aid your distinguishing them; otherwise you may be puzzled in this, to know which is Treble, which Second, &c. as in 532641, &c.

2. To know the Places of the Notes, is no way better to be apprehended than thus: The Practitioner ought to form an Idea in his Head of the Place of each Note, whether in a direct Line, or Obliquely; and representing them by a Figure in his mind, see (as it were) by the Eye of his Understanding each stroke of the Bell, as the Treble, 1. Second 2. Third 3. &c. so that as the Ear is to direct him, when to make the Change, so a right Apprehension of the Motion and Places of the Notes, ought to be a means to guide his Ear.

3. The Precedency of Notes, is of a very Obvious Demonstration; thus: In Ringing Changes, the Fore and Back-stroke, successively following one another, are properly said to Lye behind one another, according to their places of striking. Or in short, in 12345. the Note that leads either at Fore or Back-stroak, is said to Lye before the rest, and the last to be behind. As the 2 is said to lye behind the 1, so it lyeth before the 3, as the 3 lyeth behind the 2, so it lyeth before the 4. And so of as many as are Rung.

4. The manner of making a Change, is very common, and needs no particular, but general Rule; That it is made by moving one Note into anothers place, Up and Down, as Occasion requires; but all usually made by two Notes standing one next the other, as hereafter may be Observed.

Lastly, In your Ringing Changes, these two things (in which consists the practick part of this Art) are to be rightly considered. First, Readily to know which two Bells are to make the succeeding Change. And Secondly, to consider (if you are concern’d in it) what Bell you are to follow in making it. To understand which the more perfectly, you must imprint in your memory, the Method of the Changes prick’d in Figures, and to be expert likewise in setting them down divers wayes, and making any Figure a Hunt at Pleasure; and thus without pausing or hesitating to consider the Course, you may throughly understand the Methods; the Four preceding Observations being first perfectly understood.