There are two wayes of Ringing Changes, viz. By Walking them, as the Artists stile it; or by Whole-pulls, or Half-pulls: Walking is, when in one Change the Bells go round, Four, Six, or Eight times; which is a most incomparable way to improve a young Practitioner, by giving him time to consider, which two Bells do make the next succeeding Change, and in making it, what Bell each is to follow; so that by this means (by his industry) he may be capable of Ringing at Whole-Pulls; Which is, when the Bells go round in a Change at fore and back-stroke; and a new Change is made every time they are pulled down at Sally: This an Ancient Practice, but is now laid aside, since we have learnt a more advantageous way of hanging our Bells, that we can manage a Bell with more ease at a Set-Pull than formerly: So that Ringing at Half-Pulls is now the modern general Practice; that is, When one Change is made at Fore-Stroke, another at Back-Stroke, &c.
I have one Thing more to add in these introductory Rules, and that in short is this: He that Rings the slowest Hunt, ought to notify the extreme Changes; which is, when the Leading Bell is pulling down, that he might make the Change next before the Extreme, he ought to say, Extreme. By this means, betwixt the Warning and the Extreme there will be one compleat Change.
Of Changes, &c.
There are two kinds of Changes, viz. Plain Changes, and Cross-Peals; which Terms do denote the Nature of them; for as the first is stiled Plain, so are its Methods easy; and as the second is called Cross, so are its Methods cross and intricate: The First have a general Method, in which all the Notes (except Three) have a direct Hunting-Course, moving gradually under each other, plainly and uniformly: Plain are likewise termed single Changes, because there is but one single Change made in the striking all the Notes round, either at fore or back-stroke. But the Second is various, each Peal differing in its Course from all others; and in Cross-Peals as many Changes may be made as the Notes will permit. In short, as to Plain-Changes, I shall not dilate on them here, it being so plainly understood by every one that lately have rung a Bell in peal; All therefore I shall add is this, That any two Notes that strike next together may make a Change, which may be done either single or double, as you list. The single, by changing Two Notes; and the Double, by changing Four, i. e. Two to make one Change, and two another; which is however called One double Change, and not two Changes; because tis made in striking the Notes of the Bells once round. For the rest, common Observation and Practice bids me stop here, and demands a Clearing those dark Intricacies which attend Cross-Peals.
Of Cross-Peals.
Art, being a curious Searcher and Enquirer into the hidden and abstruse Arcana’s of Difficulties, having found out that dark and remote Corner of Obscurity, wherein the nature of these Cross-Peals lay at first invelopped, has exhibited by its Proselytes the ensuing Demonstrations of that which before lay mantled up in Doubt: And to effect this, these Favourites of Art have, like ingenious Architects, made Order and Method the Basis, on which the whole Structure depends: For in these Cross-Peals we must observe the prime Movement, which sets the whole Frame a going, and that is called the Hunt, which hath One constant Uniform Motion throughout the Peal, and different from that of the other Notes; and indeed by this the whole Course of the Peal is Steered. This keeps a continual motion through the other Notes, i. e. From Leading, to strike behind, and from thence again to Lead; which is called one compleat Course.
Some Peals upon five Bells consist of single Courses, wherein are ten Changes, and twelve Courses make the Peal. Others upon Five, consist of Double Courses, wherein are twenty Changes to every Course, and six Courses in the Peal.
Upon six Bells there are likewise single and double Courses, viz. Twelve Changes in every single Course, as in Grandsire Bob, &c. and Twenty-four Changes in every Double Course, as in Colledge Bobs, that being the first Change of every Course, wherein the Hunt leaves Leading: In short, judiciously observe the first Course of any Cross-Peal, and you will soon see the general Method of the whole Peal: All Courses in Cross-Peals agreeing in these following three Respects. First, In the motion of the Hunt. Secondly, In the motion of the rest of the Notes: And Thirdly, In making the Changes. Which three things being well (to omit Instances of Demonstration) and narrowly observed, will be very helpful both in pricking and ringing Courses; the first and third for directing you in Pricking them, and the first and second in Ringing them.
There is one Difficulty to be removed e’re I can come to prick down those Peals I design to be the Subject of the Discourse of this Epitome, and that is, How to make the first Changes at the beginning of each Peal; I mean to make the Second, Third, Fourth, &c. whole Hunts; and this in short is thus directed: In any Cross-Peal the Whole Hunt may move either up or down at the beginning; and the Motion of the Whole Hunt, in the first Course of each of the following Peals, will direct the first Motion of any Cross-hunt, and by Consequence of making the first Changes in that Peal. Taking along with you this Observation.
That whensoever the first Change of any Peal happens to be single, it must be made at the back-stroke, to prevent cutting Compass; and the like when a double Change happens first in a Peal of Triples and doubles: But when it happens, that the first Change is made at the Back-stroke, then Consequently the Bells at the end of the Peal will come round at a Fore-stroke Change.