The Pirate City: An Algerine Tale

by R. M. Ballantyne

The houses of the Moorish town were square white-washed blocks, built so close to each other that most of the streets were mere lanes, not more than from six to ten feet wide. No windows worthy of the name garnished the dead white walls of these houses, whose light sprang in reality from within, each house being in the form of a square of building surrounding a central court, which at the top was open to the weather. The real windows of the houses looked into the courts, which, however, were by no means dismal. They had fountains in the midst of them, which sent up a perpetual—and, in such a climate, grateful—sound of trickling water; while in their corners and elsewhere boxes of earth enabled banana-trees, and palms, and various creepers, to convert the little spots into delightful, though miniature, gardens. Such windows as opened outwards were mere loop-holes, not much more than a foot square—many of them less,—the larger of them being always strongly grated. Most of these houses projected beyond their basement storeys, thus rendering the open space above narrower than the streets below, and in many cases the walls absolutely met, and converted the streets into tunnels. Strange wooden props, seemingly insufficient for their duty, upheld these projecting upper storeys, and gave a peculiarly un-European character to the streets,—a character which became still more perplexing to the stranger when he observed here and there, in places where architecture had scarcely space or light to be seen, fountains of the most elegant design and workmanship; doorways of white marble, most elaborately and beautifully carved; and entrance-halls that resembled courts of the Alhambra in miniature.

When one first sees such things they induce surprise, but the surprise evaporates when we reflect that these pirates had at their command the services of thousands of slaves, many of whom represented the artistic talent of the civilised world.

Passing rapidly along these narrow streets, and bending his tall form when he came to low archways, Bacri at length emerged on the chief “high street” of the town, which, entering at the north, or Bab-el-Oued gate, completely traversed the city under that name as far as the Dey’s palace, where it changed its name to Bab-Azoun, and terminated at the south gate of the same name.

In this street was the Bagnio, already mentioned as being the prison of the government slaves.

Here Bacri paused, drew a glittering coin from his pocket, and knocked at a strong oaken door. A janissary opened, and roughly demanded his business, but changed his tone at once and gave the Jew admission, on receiving the coin.

Passing though a lobby, whose marble pillars were sadly broken and disfigured, the Jew entered a

courtyard, open to the sky, around which were a number of recesses or cells. In these the unhappy slaves sat huddled together. They were not cold, for it was summer; but their misery and want of space probably induced them to cling closely to each other.

The place had once been a bathing establishment, and an old fountain still gurgled in the centre of the court; but its drains had been choked long ago, and the waters had overflowed, to find exit as they best might, rendering the floor a damp and uncomfortable residence for scorpions, centipedes, and other repulsive insects.

The slaves received only two small rolls of black bread as their rations at the close of each day, and they were too eagerly engaged in devouring these to pay much regard to their visitor.