9. Funeral rites.
The dead are usually buried, two pice being first thrown into the grave to buy the site. The body is laid on its back, naked and with the head pointing to the south. The earth is mixed with briars and thorns while being filled in so as to keep off hyenas, and stones are placed over the grave. No fixed period of mourning is observed, but after the lapse of some days, the deceased’s family or relatives go to the burial-place, taking with them a piece of turmeric. This they cut into strips, and, placing them in a leaf-cup, pour water over them. As the water falls on the tomb, a god is called to witness that this day the dead man’s spirit has been sent to live with the ancestors. The pieces of turmeric are then tied in a cloth which, after receiving an oblation of fowl’s blood, is suspended from the main beam of the house, this being considered the dwelling-place of the departed. This ceremony, called Pitar Miloni, is the first rite for the admission of the deceased with the spirits of his ancestors, and is preliminary to the final ceremony of Sedoli which may be performed at any time between four months and fifteen years after the death. But until it is complete the spirit of the deceased has not been laid finally to rest and has the power of sending aches and pains to molest the bodies of its living relatives. Each sept has a place in which the Sedoli rites must be performed, and however far the Korku may have wandered from the original centre of his tribe, he must return there to set his father’s spirit at rest and enable it to join the ancestral ghosts. When the Sedoli is to be performed an unblemished teak or salai[16] tree is selected and wrapped round with a thread, while seven circuits of it are made and a bottle of liquor and two pice are offered as purchase money. It is then cut down and brought home, and from it a smooth stake called mūnda is fashioned, 24 to 30 inches high, and squared or pointed at the top, often being arrow-headed. On it are carved representations of the sun and moon, a spider and a human ear, and below these a figure representing the principal person in whose honour the stake is erected, on horseback with weapons in his hand. The proper method is to have one mūnda for each ancestor, but poor persons make one do for several and their figures are then carved below. But care must be taken that the total number of figures representing the dead does not exceed that of the members of the family who have died during the period for which the Sedoli is performed. For in that case another person is likely to die for each extra figure. The little bags of turmeric representing the ancestors are then taken from the main beam of the house and carried with the mūnda to the burial-place. There a goat is sacrificed and these articles are besmeared with its blood, after which a feast is held accompanied by singing and dancing. Next day the party again go to the burial-place and plant the mūnda in it, placing two pice in the hole beneath it. They then proceed to the riverside, and, making a little ball from the flesh of the sacrificed animal, place it together with the bags of turmeric on a leaf platter, and throw the whole into the river saying, ‘Ancestors, find your home.’ If the ball sinks at once they consider that the ancestors have been successful, but if any delay takes place, they attribute it to the difficulty experienced by the ancestors in the selection of a home and throw in two pice to assist them. The pith of a bamboo may be substituted for turmeric to represent the bones. The dead are supposed to inhabit a village of their own similar to that in which they dwelt on earth and to lead there a colourless existence devoid alike of pleasure and of pain.
10. Appearance and social customs.
The following description of the Korkus is given by Major Forsyth in the Nimār Settlement Report of 1868–69, with the addition of some remarks made by other observers. The Korkus are well built and muscular. The average Korku has a round face, a nose rather wide but not flat like a negro’s, prominent cheek-bones, a scanty moustache and his head shaved after the Hindu fashion. They are slightly taller than the Gond, a shade darker and a good many shades dirtier. In the wilder parts one may come across some quite too awful Korkus, from whom an intervening space of fifty yards is an insufficient protection, though strange to say there are no less than six words in their language which mean ‘to wash’; one to wash the whole body, one the limbs, one for the face, one for the mouth, one for the hair and one for the clothes, besides a word for scouring the body with a stone and another word for bathing in a stream. Their habitations on the other hand present quite a contrast to their individual want of cleanliness. They build their villages of a close bamboo wattle-work and with almost Swisslike neatness, a picturesque site being usually chosen, and the plan being one long street with a wide open roadway, or several such parallel with each other. The villages are kept remarkably clean, in striking contrast to the habitations of other aboriginal tribes. The average village contains about twenty huts, and it is the custom to bind these so closely together that forest fires often sweep through a whole village before a hut can be removed to check their course. The average hut is about fifteen feet square with a rather flat roof covered with loose grass over a layer of leaves and pressed down by outside poles. No nails are required as the posts are bound firmly together with bamboo or creeper fibre. The inmates generally sleep on the ground, and a few low stools carved from teak wood serve them for pillows. Every village has a few pigs and fowls running about, both of which are eaten after being sacrificed. The Korku is an adept in the crude process of distillation in which the only apparatus required consists of two gharas or earthen pots, a hollow bamboo, some mahua flowers, water and a fire. By this means the Korku manages to produce liquor upon which he can effectually get drunk. They are by no means particular about what they eat. Fowls, pork, fish, crabs and tortoise are all consumed, and beef and rats are eaten in some localities but not in others. The Rūma and Bondoya Korkus eat buffaloes, and the latter add monkeys to an already comprehensive dietary. The lowest caste with whom they are said to eat are Kolis. They do not eat with Gonds. Gonds, Māngs, Basors and a few other low castes take food from them and also, it is said, Bhīls. The Korkus will freely admit members of the higher castes into the community, and a woman incurs no social penalty for a liaison with a member of any caste from which a Korku can take food. But if she goes wrong with a low-caste man she is permanently expelled and a fine of Rs. 40 is exacted from the parents before they are readmitted to social intercourse. In the case of adultery with a member of the caste, if the husband does not wish to keep his wife, the offending parties have a lock of hair cut off and give a dinner, and are then considered to be married. But if the husband does not turn his wife away, he, on his wife’s account, and the seducer must give a joint dinner to the caste. They have a tribal council or panchāyat which inflicts the usual penalties for social offences, while in very serious cases, such as intercourse with a low caste, it causes the offender to be born again. He is placed inside a large earthen pot which is sealed up, and when taken out of this he is said to be born again from his mother’s womb. He is then buried in sand and comes out as a fresh incarnation from the earth, placed in a grass hut which is fired, and from within which he runs out as it is burning, immersed in water, and finally has a tuft cut from his scalp-lock and is fined two and a half rupees. The Korkus as a race are very poor, and a poor Korku manages to exist with even less clothing than a poor Gond. A loincloth of the scantiest and a wisp of turban coiled on the top of the head and leaving the centre of the skull uncovered form his complete costume for dry weather. Sometimes a large brass chain is worn in the turban or attached to the waist, and to it are suspended a flint and steel and a small dry gourd full of cotton—the implements for obtaining fire. It is also common to wear a large brass ring in one ear. A special habit of the Korku in Nimār, Major Forsyth states, is to carry a small bamboo flute behind the ear like a pen, from which he discourses a not unpleasant strain, chiefly when drunk or engaged in propitiating Bāgh Deo, Devi or any other dread power whom he reverences. The women as a rule wear only a dirty white sāri and are loaded with cheap ornaments. Necklaces of beads are worn on the neck, covering the chest, while the arms and legs are weighed down with brass and iron.
11. Character.
Like most hill tribes the Korkus are remarkably honest and truthful, slow at calculation and very indignant at being cheated. They are very improvident and great drunkards, and it is the latter habit which has aggravated the obstacles to their improvement.