2. Subdivisions.
The caste have several subdivisions of different types. The Halbis appear to be an offshoot of the primitive Halba tribe, who have taken to weaving; the Lād Koshtis come from Gujarāt, the Gadhewāl from Garha or Jubbulpore, the Deshkar and Martha from the Marātha country, while the Dewangān probably take their name from the old town of that name on the Wardha river. The Patwis are dyers, and colour the silk thread which the weavers use to border their cotton cloth. It is usually dyed red with lac. They also make braid and sew silk thread on ornaments like the separate Patwa caste. And the Onkule are the offspring of illegitimate unions. In Berār there is a separate subcaste named Hatghar, which may be a branch of the Dhangar or shepherd caste. Berār also has a group known as Jain Koshtis, who may formerly have professed the Jain religion, but are now strict Sivites.[4] The Sālewārs are said to be divided into the Sūtsāle or thread-weavers, the Padmasāle or those who originally wove the lotus flower and the Sagunsāle, a group of illegitimate descent. The above names show that the caste is of mixed origin, containing a large Telugu element, while a body of the primitive Halbas has been incorporated into it. Many of the Marātha Koshtis are probably Kunbis (cultivators) who have taken up weaving. The caste has also a number of exogamous divisions of the usual type which serve to prevent the marriage of near relatives.
3. Marriage.
At a Koshti wedding in Nāgpur, the bride and bridegroom with their parents sit in a circle, and round them a long hempen rope is drawn seven times; the bride’s mother then holds a lamp, while the bridegroom’s mother pours water from a vessel on to the floor. The Sālewārs perform the wedding ceremony at the bridegroom’s house, to which the bride is brought at midnight for this purpose. A display of fireworks is held and the thūn or log of wood belonging to the loom is laid on the ground between the couple and covered with a black blanket. The bridegroom stands facing the east and places his right foot on the thūn, and the bride stands opposite to him with her left foot upon it. A Brāhman holds a curtain between them and they throw rice upon each other’s heads five times and then sit on the log. The bride’s father washes the feet of the bridegroom and gives him a cloth and bows down before him. The wedding party then proceed with music and a display of fireworks to the bridegroom’s house and a round of feasts is given continuously for five days.
The remarriage of widows is freely permitted. In Chānda if the widow is living with her father he receives Rs. 40 from the second husband, but if with her father-in-law no price is given. On the day fixed for the wedding he fills her lap with nuts, cocoanuts, dates and rice, and applies vermilion to her forehead. During the night she proceeds to her new husband’s house, and, emptying the fruit from her lap into a dish which he holds, falls at his feet. The wedding is completed the next day by a feast to the caste-fellows. The procedure appears to have some symbolical idea of transferring the fruit of her womb to her new husband. Divorce is allowed, but is very rare, a wife being too valuable a helper in the Koshti’s industry to be put away except as a last resort. For a Koshti who is in business on his own account it is essential to have a number of women to assist in sizing the thread and fixing it on the loom. A wife is really a factory-hand and a well-to-do Koshti will buy or occasionally steal as many women as he can. In Bhandāra a recent case is known where a man bought a girl and married her to his son and eight months afterwards sold her to another family for an increased price. In another case a man mortgaged his wife as security for a debt and in lieu of interest, and she lived with his creditor until he paid off the principal. Quarrels over women not infrequently result in cases of assault and riot.
4. Funeral customs.
Members of the Lingāyat and Kabīrpanthi sects bury their dead and the others cremate them. With the Tirmendār Koshtis on the fifth day the Ayawār priest goes to the cremation-ground accompanied by the deceased’s family and worships the image of Vishnu and the Tulsi or basil upon the grave; and after this the whole party take their food at the place. Mourning is observed during five days for married and three for unmarried persons; and when a woman has lost her husband she is taken on the fifth day to the bank of some river or tank and her bangles are broken, her bead necklace is taken off, the vermilion is rubbed off her forehead, and her foot ornaments are removed; and these things she must not wear again while she is a widow. On the fourth day the Panch or caste elders come and place a new turban on the head of the chief mourner or deceased’s heir; they then take him round the bazār and seat him at his loom, where he weaves a little. After this he goes and sits with the Panch and they take food together. This ceremony indicates that the impurity caused by the death is removed, and the mourners return to common life. The caste do not perform the shrāddh ceremony, but on the Akhātīj day or commencement of the agricultural year a family which has lost a male member will invite a man from some other family of the caste, and one which has lost a female member a woman, and will feed the guest with good food in the name of the dead. In Chhindwāra during the fortnight of Pitripaksh or the worship of ancestors, a Koshti family will have a feast and invite guests of the caste. Then the host stands in the doorway with a pestle and as the guest comes he bars his entrance, saying: ‘Are you one of my ancestors; this feast is for my ancestors?’ To which the guest will reply: ‘Yes, I am your great-grandfather; take away the pestle.’ By this ingenious device the resourceful Koshti combines the difficult filial duty of the feeding of his ancestors with the entertainment of his friends.