VI. ART AS A MEANS OF STIMULATING ACTION . . . . . . . . . . 201
Art is a source of motor excitation,201. But such excitation is morally indeterminate, 201. Such influences must be selected with reference to their effect on moral purpose, 202.
VII. ART AS A MEANS OF FIXING IDEAS . . . . . . . . . . . . 203
The higher practical ideas have no other concrete embodiment than art, 203. Art both fixes ideas and arouses sentiment in their behalf, 204. But if art is to serve this end it must be true, 205. Untruth in art, 206. Universality and particularity in art, 207. Art may invest ideas with a fictitious value, 208.
VIII. THE LIBERALITY OF THE AESTHETIC INTEREST . . . . . . . 209
Art is unworldly, 209. The aesthetic intercourse promotes social intercourse on a high plane, 210.
IX. CONCLUSION . . . . . . . . . . . . . . . . . . . . . . . 212
When subjected to moral control, art may make the environment harmonious with morality, 212.