- Page.
- [The Fortifications of Old Manila] 30
- [A Glimpse of the Old Canal] 35
- [In the Batangas Province] 36
- [In the Province of Pangasinan] 39
- [San Augustine Church, in Old Manila] 43
- [A Suburb of Old Manila] 45
- [The Abandoned Aqueduct] 47
- [Tower of Defense, Church, and Priest’s House] 50
- [A Native Village in the foot-hills: Old Manila] 52
- [A Bamboo House in Pampanga Province] 54
- [A Street Scene in Albay] 59
- [Children of a Gobernadorcillo] 61
- [Along the Escolta: Principal Business Street in New Manila] 63
- [A Business Street in Old Manila] 65
- [In the Lumber District] 68
- [Throne Room of the Archbishop’s Palace] 72
- [The Famous Shrine of Antipolo] 74
- [A Parish Priest] 77
- [Negritos of Pampanga] 81
- [The Igorrotes] 82
- [Interior of a Native Hut] 85
- [A High-born Filipina—upper garment of costly Piña] 86
- [The Fashionable Church and the Village of Majayjay] 89
- [Author in Silken Suit: kind worn by high-class natives] 90
- [Full-blooded Native Girl in Reception Attire] 92
- [Negritos Enjoying a Primitive Sun-shade] 95
- [Volcano of Albay—a near view] 97
- [A Body-guard of Igorrotes] 99
- [A Native Restaurant, in Binondo] 101
- [Chinese Merchants on their way to the Joss House] 103
- [A Chinese Chocolate-maker] 105
- [Chieftains of Sulu] 108
- [Sulu Warriors in Fighting Attitude] 110
- [A Bamboo Thicket in Sulu] 112
- [The Devil’s Bridge, in Wild Laguna] 114
- [A Jungle in Luzon] 116
- [The Magnificent New Cathedral in Old Manila, and Ruins of the Old Cathedral, Destroyed by Earthquake 1863] 121
- [Commercial House of Russell & Sturgis; First American Merchants; Later, Lala’s Hotel] 123
- [“Home, Sweet Home,” as the Filipino knows it] 125
- [Balcony of Manila Jockey Club, overlooking Pandacan] 126
- [The Nactajan Mess: Manila Jockey Club] 128
- [Church of San Francisco, and the Old City Walls] 130
- [A Rear View of the Governor-General’s Palace] 132
- [A Water-girl] 133
- [The Garrote, Manila Method of Capital Punishment] 135
- [The Beautiful Luneta] 136
- [At the Port of Iloilo] 139
- [Interior of a House Destroyed by an Earthquake] 140
- [Open-air View of an Earthquake’s Violence] 142
- [A Milkwoman of Calamba] 144
- [A Native Hut in the Interior] 147
- [Hot Water Springs, Albay; and Mayon Volcano] 149
- [The Once-beautiful Botanical Gardens] 152
- [Malecon Promenade, along Manila Bay] 154
- [A Mestiza Flower-girl] 157
- [A Village Feast] 160
- [A Fashionable Church in Majayjay, Near Manila] 162
- [Home of a well-to-do Manila Merchant] 164
- [Cock-fighting: the Supreme Enjoyment] 166
- [Interior of the Cathedral, where all Processions Begin And End] 168
- [Square of Cervantes: Fashionable Quarter of Manila] 170
- [A Scene From the Moro-Moro Play] 172
- [The Puente de España: Stone Bridge, Replacing the Old Wooden One] 175
- [Square of Cervantes—New Manila] 178
- [Tondo: The Ancient Quarter of Native Fishermen] 180
- [Water-Carriers and Fruit-Vender] 182
- [Ancient and Present Method of Washing Clothes] 184
- [A Procession of Natives Carrying Fish] 186
- [A Mestizo Merchant] 189
- [The Escolta: Looking Toward Santa Cruz] 191
- [A Milkman on his Rounds] 193
- [A Village of Santa Ana] 195
- [A Water-Carrier and Customer] 196
- [Weaving the Beautiful Piña Cloth] 200
- [Women Employed in a Piña Shop] 202
- [Natives Preparing the Ground for Sugar-Cane Planting] 204
- [Old-fashioned Process of Drying Black Sugar] 206
- [Cane-stalk Yard, Tanduay; Drying Crushed Cane for Fuel] 208
- [Native Women Hulling Rice] 211
- [Mayon Volcano, Albay; in the Hemp-producing District] 215
- [A Hemp Warehouse, Manila] 217
- [A Hemp Press at a Busy Hour] 219
- [A Chinese Hemp Merchant in Gala Attire] 221
- [A Wealthy Spanish Merchant of Albay] 223
- [A Bamboo Bridge in Albay] 225
- [A Cigar and Cigarette Factory in Manila] 228
- [A View of the Suspension Bridge, Manila; over the Pasig River] 230
- [Native Girls Making Manila Cheroots] 233
- [Spanish Luxury in the Old Days] 234
- [District of Taäl: in the Batangas Province] 238
- [The Useful Buffalo: for all Hauling Purposes] 240
- [A Betel-Nut Gatherer of Luzon] 244
- [A Typical Native Fruit-Girl] 246
- [“La Belle Chocolatière” of Luzon] 248
- [Shifting Lumber in a Forest of Tayabas] 252
- [Natives Transporting Lumber to the Coast] 254
- [The Young Proprietor of a Cocoanut Grove Gathering Tuba] 256
- [A Wealthy Mestiza of the Upper Class] 258
- [A Group of Tagals Employed by a Mining Company] 262
- [Another Glimpse of the Great Stone Bridge] 264
- [La Laguna Lake; the Neighborhood of a Gold Discovery] 266
- [A Country House in Tanguet Village] 268
- [House of Native Coal-Laborer of Cebú] 270
- [A Buffalo in Harness; Harrowing the Soil] 274
- [Grand Stand, Santa Mesa, where the Pony Races are run] 276
- [At the National Sport; Just Before the Contest] 278
- [A Wayside Restaurant] 281
- [A Native Servant-Girl] 282
- [Buffalo Transporting Lumber in Pampanga] 285
- [Enterprising Sugar Refineries, Tanduay] 287
- [La Bella Filipina in Troubadour Costume] 290
- [Foreigners at Tiffin in Manila] 292
- [Dr José Rizal, Martyred Leader of the Present Insurrection] 295
- [An Execution of Insurgent Chiefs on the Luneta] 296
- [Entrance of the River Pasig, Manila] 299
- [The President of the United States and His War-Cabinet] 300
- [Andres Bonifacio, sometime Rebel President of so-called Tagal Republic] 303
- [Emilio Aguinaldo] 305
- [Native Women: their Upper Garment—Pañuelo—of Piña] 306
- [Types of the Tagbanua Tribe] 308
- [A Battery at the Corner of the Old Fortifications, Manila; Facing the Bay] 313
- [The Spanish Fleet as it Appeared in the Philippine Waters] 315
- [The Hot Springs of Luzon Province] 317
- [The Reina Cristina, Flagship of Admiral Montojo] 318
- [The Isla de Cuba; To it the Spanish Flag was Transferred] 322
- [The Olympia; Admiral Dewey’s Flagship] 324
- [Admiral Montojo, Commander of Spanish Fleet at Manila] 327
- [Cavité; a Rebel Stronghold, Noted for its Arsenal] 328
- [Alfonzo XIII., the Boy King of Spain] 330
- [The Queen-Regent of Spain] 333
- [Rear-Admiral George Dewey] 334
- [Don Basilo Augustine, Spanish Captain-General of the Philippine Islands] 338
- [General Wesley Merritt, American Commander of Military Forces at Manila] 340
[Maps] 343
Introduction.
The absolute present necessity for accurate information by the people of the United States respecting the Philippines has been met in no more satisfactory manner than by this book.
The author, Mr. Ramon Reyes Lala, is a Filipino and was born in Manila. His collegiate education was completed in England and Switzerland. A long sojourn in Europe has instructed him in European thought, tendencies, and methods. He has lived in the United States for many years, and has become, by naturalization, a citizen of this country.
He collected the historical material for this work largely from the Spanish archives in Manila before the last rising of the people of Luzon in rebellion against Spain. His mastery of the English language is that of the thorough scholar. His qualifications for his work are those of the student, trained by many studies. He possesses by nativity the gift, incommunicable to any alien, of giving a true color and duly proportioned form to his delineations of his own people. These endowments have enabled him to produce a work of striking and permanent value.
The most meritorious feature of Mr. Lala’s book is unquestionably its impartiality of statement and judgment. This is particularly apparent in his descriptions of the moral and intellectual character of his countrymen. No defect is extenuated, nor is there any patriotic exaggeration of merits. The capacities and limitations of the Filipinos are plainly and photographically depicted. The difficulties and the facilities of their political control by the United States are weighed in a just balance by the reader himself in considering these portrayals of national character.
This colorless truth of statement appears not alone in Mr. Lala’s special descriptions of the character of his people. It is also manifest, as it is incidentally displayed, in his many expositions of the systems and methods of labor, of social usages, of domestic life, of civil administration, of military capacity, of popular amusements and of religious faith. The result is that he has communicated to the reader an unusually distinct conception of national and ethnic character. This is always a very difficult task. The most graphic portrayal in this respect most commonly enables the reader merely to perceive indistinctly, but not clearly to see.