The verse of Fletcher is highly individual among the Jacobean dramatists, though in a sense typical of the breaking down of blank verse, in the direction of prose, which was going on at this period. The distinguishing feature of Fletcher's verse is the constant use of feminine endings, and the extension of these to triple and even quadruple endings, by the addition of one or more syllables. Twelve-syllable lines (not alexandrines, but ordinary lines with triple endings) are not at all uncommon; and the additional syllable or syllables may even be emphatic. In general the tendency was in the direction of the freedom of conversational prose. Such a line as
"Methinks you are infinitely bound to her for her journey"
would not be recognized, standing by itself, as a five-stress iambic verse; properly read, however, it takes its place without difficulty in the scheme of the metre.[30]
Whatever ails me, now a-late especially,
I can as well be hanged as refrain seeing her;
Some twenty times a day, nay, not so little,
Do I force errands, frame ways and excuses,
To come into her sight; and I've small reason for't,
And less encouragement, for she baits me still
Every time worse than other; does profess herself
The cruellest enemy to my face in town;
At no hand can abide the sight of me,
As if danger or ill luck hung in my looks.
I must confess my face is bad enough,
But I know far worse has better fortune,
And not endur'd alone, but doted on;
And yet such pick-hair'd faces, chins like witches',
Here and there five hairs whispering in a corner,
As if they grew in fear of one another,
Wrinkles like troughs, where swine-deformity swills
The tears of perjury, that lie there like wash
Fallen from the slimy and dishonest eye;
Yet such a one plucks sweets without restraint.
(Thomas Middleton: The Changeling, II. i. ab. 1623.)
Middleton carried on the work of fitting blank verse for plausibly conversational, as distinguished from poetic, effects. Often his lines are more difficult to scan than Fletcher's, and still less seek melodiousness for its own sake. Characteristic specimens are verses like these:
"I doubt I'm too quick of apprehension now."
"With which one gentleman, far in debt, has courted her."
"To call for, 'fore me, and thou look'st half ill indeed."
What would it pleasure me to have my throat cut
With diamonds? or to be smothered
With cassia? or to be shot to death with pearls?
I know death hath ten thousand several doors
For men to take their exits; and 'tis found
They go on such strange geometrical hinges,
You may open them both ways; any way, for Heaven sake,
So I were out of your whispering. Tell my brothers
That I perceive death, now I am well awake,
Best gift is they can give or I can take....
—Pull, and pull strongly, for your able strength
Must pull down Heaven upon me:—
Yet stay; Heaven-gates are not so highly arched
As princes' palaces; they that enter there
Must go upon their knees.—Come, violent death,
Serve for mandragora to make me sleep!—
Go tell my brothers, when I am laid out,
They then may feed in quiet.