The Judge

by Rebecca West

From that roaring throat came a tortured, happy noise; and she tried to make her lips meet, and speak.

"My wee lamb, don't try to speak. Just lie quiet. It's heaven just to be with you. You needn't speak."

But Mrs. Melville fought to say it. Something had struck her as so remarkable that she was willing to spend one of her last breaths commenting on it. They both bent forward eagerly to hear it. She whispered: "Nice to have a room of one's own."

Richard made some slight exclamation, and she rolled those vast eyes towards him, and fixed him with what might have been an accusing stare. At first he covered his mouth with his hand and looked at her under his lids as if the accusation were just, and then he remembered it was not, and squared his shoulders, and went to the other side of the bed and knelt down. Her eyes followed him implacably, but there he met them. He said, "Truly ... I am all right. I will look after her. She can't be poor, whatever happens. Trust me, mother, she'll be all right," and under the bedclothes he found her hand, and raised it to his lips. Instantly the taut stare slackened, her puckered lids fell, and she dozed. Tears ran down Ellen's face, because her mother was paying no attention to her during the last few moments they were ever to be together, and was spending them in talk she could not understand with Richard, whom she had thought loved her too well to play this trick upon her. She could have cried aloud at her mother's unkind way of dying. It struck her that there had always been a vein of selfishness and inconsiderateness running through her mother's character, which had come to a climax when she indulged in this preposterous death just when the stage was set for their complete happiness. She had almost succeeded in fleeing from her grief into an aggrieved feeling, when those poor loose wrinkled lids lifted again, and the fluttering knowledge in those great glazed eyes probed the room for her and leapt up when it found her.

There was a jerk of the head and a whisper, "I'm going!" It was, though attenuated by the frailty of the dying body, the exact movement, the exact gesture that she had used when, on her husband's death, she had greeted the news that she and her daughter had been left with seventy pounds a year. Just like she had said, "Well, we must just economise!" She was going to be just as brave about death as she had been about life, and this, considering the guarantees Time had given her concerning the nature of Eternity, was a high kind of faith. "Mother dear! Mother dear!" Ellen cried, and though she remembered that outside the door they had told her she must not, she kissed her mother on the lips. "Mother dear! ... it's been so ... enjoyable being with you!" Mrs. Melville made a pleased noise, and by a weary nod of the head made it understood that she would prefer not to speak again; but her hand, which was in Ellen's, patted it.

All through the night that followed they pressed each other's hands, and spoke. "Are you dead?" Ellen's quickened breath would ask; and the faint pressure would answer, "No. I have still a little life, and I am using it all to think of you, my darling." And sometimes that faint pressure would ask, "Are you thinking of me, Ellen? These last few moments I want all of you," and Ellen's fingers would say passionately, "I am all yours, mother." In these moments the forgotten wisdom of the body, freed from the tyranny of the mind and its continual running hither and thither at the call of speculation, told them consoling things. The mother's flesh, touching the daughter's, remembered a faint pulse felt long ago and marvelled at this splendid sequel, and lost fear. Since the past held such a miracle the future mattered nothing. Existence had justified itself. The watchers were surprised to hear her sigh of rapture. The daughter's flesh, touching the mother's, remembered life in the womb, that loving organ that by night and day does not cease to embrace its beloved, and was the stronger for tasting again that first best draught of love that the spirit has not yet excelled.

There were footsteps in the corridor, a scuffle and a freshet of giggling; the nurses were going downstairs after the early morning cup of tea in the ward kitchen. This laughter that sounded so strange because it was so late reminded Ellen of the first New Year's Eve that she and her mother had spent in Edinburgh. They had had no friends to first foot them, but they had kept it up very well. Mrs. Melville had played the piano, and Ellen and she had sung half through the Student's Song Book, and they had had several glasses of Stone's Ginger Ale, and there really had been a glow of firelight and holly berry brightness, for Mrs. Melville, birdlike in everything, had a wonderful faculty for bursts of gaiety, pure in tone like a blackbird's song, which brought out whatever gladness might be latent in any person or occasion. As twelve chimed out they had stood in front of the chimneypiece mirror and raised their glasses above their heads, singing, "Auld Lang Syne" in time with the dancers on the other side of the wall, who were making such a night of it that several times the house had seemed likely to fall in.

When they had given three cheers and were sipping from their glasses, Mrs. Melville had said drolly: "Did ye happen to notice my arm when I was lifting it? Ye did not, ye vain wee thing, ye were looking at yourself all the time. But I'll give ye one more chance." And she had held it up so that her loose sleeve (she was wearing a very handsome mauve tea-gown bought by Mr. Melville in the temporary delirium of his honeymoon, from which he had so completely recovered that she never got another) fell back to her shoulder. "Mother, I never knew you had arms like that!" She had never before seen them except when they were covered by an ill-fitting sleeve or, if they had been bare to the elbow, uninvitingly terminating in a pair of housemaid's gloves or hands steamy with dishwashing. "Mother, they're bonny, bonny!" Mrs. Melville had been greatly pleased, but had made light of it. "Och, they're nothing. We all have them in our family. Ye have them yourself. Ye must always remember ye got them from your great-grandmother Jeanie Napier, who was so much admired by Sir Walter Scott at her first ball. And talking of dancing ...." and she had lifted up her skirts and set her feet waggishly twinkling in a burlesque dance, which she followed up with a travesty of an opera, a form of art she had met with in her youth and about which, since she was the kind of woman who could have written songs and ballads if she had lived in the age when wood fires and general plenty made the hearth a home for poetry, she could be passionately witty as artists are about work that springs from æsthetic principles different from their own. It had been a lovely performance. They had ended in a tempest of laughter, which had been brought to a sudden check when they had looked at the clock and seen that it was actually twenty-five to one, which was somehow so much worse than half-past twelve! It was that moment that had been recalled to Ellen by the sudden interruption of the pulses of the night by the nurses' laughter. That had been a beautiful party.

She would never be at another, and looked down lovingly on her mother's face, and was horrified by its extreme ugliness. There was no longer any gallant Tom Thumb wit strutting about her eyes and mouth, no little tender cheeping voice to distract the attention from the hideous ruin time had worked in her. Age diffused through her substance, spoiling every atom, attacking its contribution to the scheme of form and colour. It had pitted her skin with round pores and made lie from nose to mouth thick folds such as coarse and valueless material might fall into, and on her lids it was puckered like silk on the lid of a workbox; but if she had opened them they would only have shown whites that had gone yellow and were reticulated with tiny veins. It had turned her nose into a beak and had set about the nostrils little red tendril-like lines. Her lips were fissured with purple cracks and showed a few tall, narrow teeth standing on the pale gleaming gum like sea-eroded rocks when the tide is out. The tendons of her neck were like thick, taut string, and the loose arras of flesh that hung between them would not be nice to kiss, even though one loved her so much.

Really she was very ugly, and it was dreadful, for she had been very beautiful. Always at those tea-parties to which people were invited whom Ellen had known all her life from her mother's anecdotes as spirited girls of her own age, but which nobody came to except middle-aged women in shabby mantles, though all the invitations were accepted, someone was sure to say: "You know, my dear, your mother was far the prettiest girl in Edinburgh. Oh, Christina, you were!..." It was true, too, a French artist who had come to Scotland to decorate Lord Rosebery's ballroom at Dalmeny had pestered Mrs. Melville to sit to him, and had painted a portrait of her which had been bought by the Metropolitan Museum in New York. Ellen had never had a clear idea of what the picture was like, for though she had often asked her mother, she had never got anything more out of her than a vexed, deprecating murmur: "Och, it's me, and standing at a ballroom door as if I was swithering if I would go in, and no doubt I'd a funny look on my face, for when your grannie and me went down to his studio we never thought he really meant to do it. And I was wearing that dress that's hanging up in the attic cupboard. Yes, ye can bring it down if ye put it back as ye find it." It was a dress of white ribbed Lille silk, with thick lace that ran in an upstanding frill round the tiny bodice and fell in flounces, held here and there with very pink roses, over a pert little scalloped bustle; she visualised it as she had often held it up for her mother to look at, who would go on knitting and say, with an affectation of a coldly critical air, "Mhm. You may laugh at those old fashions, but I say yon's not a bad dress."