It was, Ellen reflected, just such a dress as the women wore in those strange worldly and passionate and self-controlled pictures of Alfred Stevens, the Belgian, of whose works there had once been a loan collection in the National Gallery. Her imagination, which was working with excited power because of her grief and because her young body was intoxicated with lack of sleep, assumed for a moment pictorial genius, and set on the blank wall opposite the portrait of her mother as Alfred Stevens would have painted it. Oh, she was lovely standing there in the shadow, with her red-gold hair and her white skin, on which there was a diffused radiance which might have been a reflection of her hair, and her little body springing slim and arched from the confusion of her skirts! The sound of the "Blue Danube" was making her eyes bright and setting her small head acock, and a proud but modest knowledge of how more than one man was waiting for her in there and would be pleased and confused by her kind mockery, twisted her mouth with the crooked smile of the Campbells. Her innocence made her all sweet as a small, sound strawberry lying unpicked in the leaves, and manifested itself in a way that caused love and laughter in this absurd dress whose too thick silk, too tangible lace, evidently proceeded from some theory of allurement which one had thought all adults too sophisticated to hold.

Oh, she had been beautiful! Ellen looked down in pity on the snoring face, and in the clairvoyance of her intense emotion she suddenly heard again the crisp rustle of the silk and looked down on its yellowed but immaculate surface, and perceived that its preservation disclosed a long grief of her mother's. That dress had never been thrown, though they had had to travel light when Mr. Melville was alive, and the bustled skirt was a cumbrous thing to pack, because she had desired to keep some relique of the days when she was so beautiful that an artist, a professional, had wanted to paint her portrait. An inspiration occurred to Ellen, and she bent down and said, "Mother, Richard and me'll go to New York and see your portrait in the Museum there." The dying woman jerked her head in a faint shadow of a bridle and made a pleased, deprecating noise, and pressed her daughter's hand more firmly than she had done for the last hour. Ellen wept, for though these things showed that her mother had been pleased by her present words, they also showed that she had been conscious of her beauty and the loss of it. She remembered that that New Year's Eve, seven years before, before they had gone up to bed, her mother had again held up her arm before the mirror and had sighed and said: "They last longer than anything else about a woman, you know. Long after all the rest of you's old ye can keep a nice arm. Ah, well! Be thankful you can keep that!" and she had gone upstairs singing a parody of the Ride of the Valkyries ("Go to bed! Go to bed!").

Of course she had hated growing old and ugly. It must be like finding the fire going out and no more coal in the house. And it had been done to her violently by the brute force of decay, for her structure was unalterably lovely, the bones of her face were little but perfect, the eye lay in an exquisitely-vaulted socket; and everything that could be tended into seemliness was seemly, and the fine line of her plait showed that she brushed her grey hair as if it were still red gold. Age had simply come and passed ugliness over her, like the people in Paris that she had read about in the paper who threw vitriol over their enemies. This was a frightening universe to live in, when the laws of nature behaved like very lawless men. She was so young that till then she had thought there were three fixed species of people—the young, the middle-aged, and the old—and she had never before realised that young people must become old, or stop living. She trembled with rage at this arbitrary rule, and sobbed to think of her dear mother undergoing this humiliation, while her free hand and a small base fraction of her mind passed selfishly over her face, asking incredulously if it must suffer the same fate. It seemed marvellous that people could live so placidly when they knew the dreadful terms of existence, and it almost seemed as if they could not know and should be told at once so that they could arm against Providence. She would have liked to run out into the sleeping streets and call on the citizens to wake and hear the disastrous news that beautiful women grow old and lose their beauty, and that within her knowledge this had happened to one who did not deserve it.

She raised her head and saw that the young nurse who had been coming in and out of the room all night was standing at the end of the bed and staring at her with lips pursed in disapproval. She was shocked, Ellen perceived, because she was not keeping her eyes steadfastly on her mother, but was turning this way and that a face mobile with speculation; and for a moment she was convinced by the girl's reproach into being ashamed because her emotion was not quite simple. But that was nonsense; she was thinking as well as feeling about her mother, because she had loved her with the head as well as with the heart.

Yet she knew, and knew it feverishly, because night emptied of sleep is to the young a vacuum, in which their minds stagger about, that in a way the nurse was right. If she had not been quite so clever she would never have made her mother cry, as she had done more than once by snapping at her when she had said stupid things. There rushed on her the recollection of how she had once missed her mother from the fireside and had thought nothing of it, but on going upstairs to wash her hands, had found her sitting quite still on the wooden chair in her cold bedroom, with the tears rolling down her cheeks; and how, when Ellen had thrown her arms round her neck and begged her to say what was the matter, she had quavered, "You took me up so sharply when I thought Joseph Chamberlain was a Liberal. And he was a Liberal once, dear, when your father and I were first married and he still talked to me. I'm sure Joseph Chamberlain was a Liberal then." At this memory Ellen put her head down on the pillow beside her mother's and sobbed bitterly; and was horrified to find herself being pleased because she was thus giving the nurse proof of proper feelings.

She sat up with a jerk. She was not nearly nice enough to have been with her mother, who was so good that even now, when death was punishing her face like a brutal and victorious boxer, bringing out patches of pallor and inflamed redness, making the flesh fall away from the bone so that the features looked different from what they had been, it still did not look at all terrible, because the lines on it had been traced only by diffidence and generosity. With her ash-grey hair, her wrinkles, and the mild unrecriminating expression with which she supported her pain, she looked like a good child caught up by old age in the obedient performance of some task. That was what she had always been most like, all through life—a good child. She had always walked as if someone in authority, most likely an aunt, had just told her to mind and turn her toes out. It had given her, when she grew older and her shoulders had become bent, a peculiar tripping gait which Ellen hated to remember she had often been ashamed of when they went into tea-shops or crossed a road in front of a lot of people, but which she saw now to have been lovelier than any dance, with its implication that all her errands were innocent.

"Mother, mother!" she moaned, and their hands pressed one another, and there was more intimate conversation between their flesh. Her exalted feelings, as she came out of them, reminded her of other shared occasions of ecstasy. She remembered Mrs. Melville clutching excitedly at her arm as she turned her face away from the west, where a tiny darkness of banked clouds had succeeded flames, round which little rounded golden cloudlets thronged like Cupids round a celestial bonfire, and crying in a tone of gourmandise, "I would go anywhere for a good sunset!"

There was that other time that she had been so happy, when they had watched the fish-wives of Dunbar sitting on tubs under great flaring torches set in sconces on the wall behind them, gutting herrings that slid silver under their quick knives and left blood on their fingers that shone like a fluid jewel, raw-coloured to suit its wearers' weathered rawness, and lay on the cobbles as a rich dark tesselation. The reflected sunset had lain within the high walls of the harbour as in a coffin, its fires made peaceful by being caught on oily waters, and above the tall roof-trees of the huddled houses behind the stars had winked like cold, clever eyes of the night. Mrs. Melville had circled about the scene, crying out at all its momentary shifts from key to key of beauty, murmuring that the supper would be spoiling and the landlady awful annoyed, but she must wait, she must wait. When the women had stopped gutting and had arisen, shaking a largesse of silver scales from their canvas aprons, and the dying torches had split and guttered and fallen from the sconces and been trodden out under the top-boots of bearded men, she had gone home with Ellen like a reveller conducted by a sober friend, exclaiming every now and then with a fearful joy in her own naughtiness, "It's nearly nine, but it's been worth it!"

For this innocent passion for beauty the poor little thing (Ellen remembered how lightly her mother had weighed on her arm that night, though she was tired) had made many sacrifices. To see better the green glass of the unbroken wave and hear the kiss the spray gives the sea on its return she would sit in the bow of the steamer, though that did not suit her natural timidity; and if passengers were landed at a village that lay well on the shore she would go ashore, even if there were no pier and she had to go in a small boat, though these made her squeal with fright. And there was an absolute purity about this passion. It was untainted by greed. She loved most of all that unpossessable thing, the way the world looks under the weather; and on the possessable things of beauty that had lain under her eyes, in the jewellers' windows in Princes Street or on the walls of the National Gallery, she had gazed with no feelings but the most generous, acclaiming response to their quality and gratitude for the kindness on the part of the powers that be. She had been a good child: she hadn't snatched.

But when one thinks of a good child faithfully adhering to the nursery ethic the thought is not bearable unless it is understood that there is a kind nurse in the house who dresses her up for her walk so that people smile on her in the streets, and maybe buys her a coloured balloon, and when they come back to tea spreads the jam thick and is not shocked at the idea of cake. But mother was lying here in a hospital nightgown of pink flannel, between greyish cotton sheets under horse-blankets, in pain and about to die; utterly unrewarded. And she had never been rewarded. Ellen's mind ran through the arcade of their time together and could find no moment when her mother's life had been decorated by any bright scrap of that beauty she adored.