P. S.—The drawing below, which is from the hand of M. Sandy Rose, and which I have inserted at the place that he had indicated, may have a meaning, but, if so, I have been unable to penetrate it. It seems to represent a Greek medal dedicated to the goddess Core. But KOPH means also young girl, and even doll. Besides, are such medals known?
[A NIGHT IN THE LUXEMBOURG...]
I am certainly drunk, yet my lucidity is very great. Drunk with love, drunk with pride, drunk with divinity, I see clearly things that I do not very well understand, and these things I am about to narrate. My adventure unrolls before my eyes with perfect sharpness of outline; it is a piece of faery in which I am still taking part; I am still in the midst of lights, of gestures, of voices.... She is there. I have only to turn my head to observe her; I have only to rise to go and touch her body with my hands, and with my lips.... She is there. A privileged spectator, I have carried away with me the queen of the spectacle, a proof that the spectacle was one of the days of my actual life. That day was a night, but a night lit by a Spring sun, and, behold, it continues, night or day, I do not know.... The queen is there. But I must write.
The abridged story of my adventure will appear to-morrow morning in the Northern Atlantic Herald, and will soon make the circuit of the American press, to return to us through the English agencies: but that does not satisfy me. I telegraphed, because it was my duty; I write, because it is my pleasure. Besides, experience has taught me that news gains rather in precision than in exactitude in its journeys from cable to cable, and I am anxious for exactitude.
With what happiness I am going to write! I feel in my head, in my fingers, an unheard-of facility....
On the first intelligence of the pious riots that transformed into fortresses our peaceful churches, peaceful after the manner of old haunted castles, the newspaper that I have represented for ten years asked me, with a certain impatience, for details. As I live in the Rue de Médicis, having a long-standing passion for the Luxembourg, its trees, its women, its birds, I went down towards the Place Saint-Sulpice. The square was occupied by children, playing as they returned from school; round it rolled great empty omnibuses; now and again a tramcar widowed of a horse left with difficulty, while another struggled up and turned round without grace. My prolonged stay in Paris has made me an idler like every one else. Nothing astonishes me, and everything amuses me. Besides, I am by nature at once sceptical and inquisitive. That is why, when I lifted my eyes towards the church, my attention was vividly excited by the fact that the windows on the side towards the Rue Palatine seemed lit by the rays of a brilliant sunset. But the sun had not shone that day, and, even if the sky had been clear, no reflection could, at that late hour, light the south side of the church of Saint-Sulpice. I thought of a fire, but no trace of one was to be seen in the sky. Something unusual was certainly going on inside. I hurried towards the door in the Rue Palatine. As I advanced, without losing sight of the windows, I perceived that the light seemed to be coming down the length of the church, as if blazing torches were being carried about in this transept of the nave. At the moment when I went in, the windows by the choir began to shine, while those nearer the front of the church were now obscure.
Pushing open the door, I went towards the chapel of the Virgin, behind the high altar. It seemed lit up as if for a feast-day, and yet I heard no chanting, no music, I perceived no noise. I advanced with steps that I thought precipitate, but which were, on the contrary, very slow, for, to my great shame, I felt myself trembling; in the deep silence of this mournful basilica my heart, it seemed to me, beat like a bell. At one moment the lights of the chapel shone with such brilliance that I had to shut my eyes. When I reopened them, it was dark, and some lamps alone shed their vague, accustomed lights in the now complete obscurity.