"Enamourée, tant que mon coeur étouffe!"
Ciacco Dell' Anguillara.
Scraps of conversation of the preceding evening returned to his memory after he left. The approaching pleasure of the promised evening led his thoughts to the theater, and he mentally re-read some of the dramatic projects he had conceived and written.
Two or three particularly interested him. They sketched some brief scenes of stupidity, egoism, ill-nature, the eternal and contemporary eagerness to engage with the passion embedded in very young hearts. He merely showed simple persons dominated by a vice, an ambition, a mania; no analysis except in the rough; probabilities carefully extracted from the improbable confusion of ordinary life; soul states which tend to become symbolic; no mere news, no sudden changes, no modification of facts. What an agreeable spectacle, for example, in the legend of the Prodigal Son, defined in images, or the story which a biscuit manufacturer prints on rough pale rose paper for his trade, or some popular tale, or higher, among holy or saintly things, Passion, the Life of the Magdalene, a narrative dramatized by a little of the unforeseen struggles of spirit against flesh. Everything came back to that.
Prey to a devouring intellectual excitement, Hubert walked rapidly with no destination in mind beyond the desire to free himself by means of the natural denouements of the agitated world which stirred in him, assailing, like grapeshot of besiegers, the fortress of his logic.
Finally, as he was walking along the rue des Tuileries, near the wooden and zinc booth where at certain times people exhibit paintings, and where at other times young girls exhibit their capacities as teachers; near this booth, the enchanted army disappeared, returning to limbo.
The booth was shut and the street empty, but Entragues saw the door open and the highway as far as the garden fill with little pupils, with mammas hanging to their coats, proudly, and black paper-boxes under their arms, faded complexions, breasts drooping through the constant bending of the chest, ugly robes without even the coquetry of a beggar's colored rags, ink-stained fingers, sleeves made glossy by rubbing against wooden tables, and orthographic preoccupations in the eyes of those at the age of a mild little love affair with "the friend of my brother" or "the brother of my girl friend."
He distinguished, however, a future woman between two who wore spectacles. She walked with a sprightly and decided air, carrying her body that was rebellious to the obligatory deformations; she was brunette and garbed in a becoming black. A young man, who moved timidly among all these skirts, lifted his hat as he glanced at her; she answered with a little motion of the head, joined him without shame and both, arms united, departed. In the middle of the street, she threw over the wooden fence her black box, inkstand, pencils, penholder and papers; these articles the wind blew about; the girl joyously clapped her hands, seemed to pause for a long breath; then they fled. They hastened with reason, for a teacher, warned, was running towards her pupil, the hope of her cage and the honor of her manger; they hastened with reason: for they were going to live.
Entragues understood quite well what had happened. It was during the dictation that a sudden lance thrust had pierced her heart, making a breech in the breastplate of boards. Blood had rushed, mingling with rules of syntax: she was saved!
Entragues was not at all satisfied with the too humorously ironic form which the anecdote took. He decided, in case he ever returned to it with a view of writing, to introduce a more methodical and haughty protestation. The instruction given to young girls did not vex him, but its quality did: they were crammed, like Turkish women, with maize-flour, so as to obtain a forced corpulency, although fine dieting is necessary for those creatures who can so easily be deformed. Neither grammar, nor geography, nor distasteful chronological history, nor practically anything now customary was suitable for women, but only the Old and New Testament, the Life of the Saints, solid mystic readings, then the poets, the romancers of dreams, all that can, in gloomy hours, reflower in the soul, at the call of holy harps, at the summons of kisses of love, under children's caresses.