In the third place, the Elizabethans were unusually democratic; that is, the different classes mingled together in a marked degree, more than in modern England, more even than in the United States to-day. This intermingling was due in part to increased travel, to the desire born of the New Learning to live as varied and as complete a life as possible, and to the absence of overspecialization among individuals. This chance for varied experience with all sorts and conditions of men enabled Shakespeare to speak to all humanity. All England was represented in his plays. When the Rev. Thomas Hooker, born in the last half of Elizabeth's reign, was made pastor at Hartford, Connecticut, he suggested to his flock a democratic form of government much like that under which we now live.

Let us remember that American life and literature owe their most interesting traits to these three Elizabethan qualities—initiative, ingenuity, and democracy. Let us not forget that the Cambridge University graduate, the cooper, cloth-maker, printer, and blacksmith had the initiative to set out for the New World, the ingenuity to deal with its varied exigencies, and the democratic spirit that enabled them to work side by side, no matter how diverse their former trades, modes of life, and social condition.

CAPTAIN JOHN SMITH, 1579-1631

[Illustration: JOHN SMITH]

The hero of the Jamestown colony, and its savior during the first two years, was Captain John Smith, born in Willoughby, Lincolnshire, in 1579, twenty-four years before the death of Elizabeth and thirty-seven before the death of Shakespeare. Smith was a man of Elizabethan stamp,—active, ingenious, imaginative, craving new experiences. While a mere boy, he could not stand the tediousness of ordinary life, and so betook himself to the forest where he could hunt and play knight.

In the first part of his young manhood he crossed the Channel, voyaged in the Mediterranean, fought the Turks, killing three of them in single combat, was taken prisoner and enslaved by the Tartars, killed his inhuman master, escaped into Russia, went thence through Europe to Africa, was in desperate naval battles, returned to England, sailing thence for Virginia, which he reached at the age of twenty-eight.

He soon became president of the Jamestown colony and labored strenuously for its preservation. The first product of his pen in America was A True Relation of Virginia, written in 1608, the year in which John Milton was born. The last work written by Smith in America is entitled: A Map of Virginia, with a Description of the Country, the Commodities, People, Government, and Religion. His description of the Indians shows his capacity for quickly noting their traits:—

"They are inconstant in everything, but what fear constraineth them to keep. Crafty, timorous, quick of apprehension and very ingenious. Some are of disposition fearful, some bold, most cautious, all savage. Generally covetous of copper, beads, and such like trash. They are soon moved to anger, and so malicious that they seldom forget an injury: they seldom steal one from another, lest their conjurors should reveal it, and so they be pursued and punished. That they are thus feared is certain, but that any can reveal their offences by conjuration I am doubtful."

Smith has often been accused of boasting, and some have said that he was guilty of great exaggeration or something worse, but it is certain that he repeatedly braved hardships, extreme dangers, and captivity among the Indians to provide food for the colony and to survey Virginia. After carefully editing Captain John Smith's Works in a volume of 983 pages, Professor Edwin Arber says: "For [our] own part, beginning with doubtfulness and wariness we have gradually come to the unhesitating conviction, not only of Smith's truthfulness, but also that, in regard to all personal matters, he systematically understates rather than exaggerates anything he did."

Although by far the greater part of Smith's literary work was done after he returned to England, yet his two booklets written in America entitle him to a place in colonial literature. He had the Elizabethan love of achievement, and he records his admiration for those whose 'pens writ what their swords did.' He was not an artist with his pen, but our early colonial literature is the richer for his rough narrative and for the description of Virginia and the Indians.