A Literary History of the Arabs

by Reynold Alleyne Nicholson

Apart from the Díwáns and anthologies, numerous Pre-islamic Prose sources. verses are cited in biographical, philological, and other works, e.g., the Kitábu ’l-Aghání by Abu ’l-Faraj of Iṣfahán († 967 a.d.), the Kitábu ’l-Amálí by Abú ‘Alí al-Qálí († 967 a.d.), the Kámil of Mubarrad († 898 a.d.), and the Khizánatu ’l-Adab of ‘Abdu ’l-Qádir of Baghdád († 1682 a.d.).

We have seen that the oldest existing poems date from the beginning of the sixth century of our era, whereas the art of writing did not come into general use among the The tradition of Pre-islamic poetry. Arabs until some two hundred years afterwards. Pre-islamic poetry, therefore, was preserved by oral tradition alone, and the question arises, How was this possible? What guarantee have we that songs living on men's lips for so long a period have retained their original form, even approximately? No doubt many verses, e.g., those which glorified the poet's tribe or satirised their enemies, were constantly being recited by his kin, and in this way short occasional poems or fragments of longer ones might be perpetuated. Of whole qaṣídas like the Mu‘allaqát, however, none or very few would have reached us if their survival had depended solely on their popularity. What actually saved them in the first place was an institution resembling that of the Rhapsodists in Greece. Every professed poet The Ráwís. had his Ráwí (reciter), who accompanied him everywhere, committed his poems to memory, and handed them down, as well as the circumstances connected with them, to others. The characters of poet and ráwí were often combined; thus Zuhayr was the ráwí of his stepfather, Aws b. Ḥajar, while his own ráwí was al-Ḥuṭay’a. If the tradition of poetry was at first a labour of love, it afterwards became a lucrative business, and the Ráwís, instead of being attached to individual poets, began to form an independent class, carrying in their memories a prodigious stock of ancient verse and miscellaneous learning. It is related, for example, that Ḥammád once said to the Caliph Walíd b. Yazíd: "I can recite to you, for each letter of the alphabet, one hundred long poems rhyming in that letter, without taking into count the short pieces, and all that composed exclusively by poets who lived before the promulgation of Islamism." He commenced and continued until the Caliph, having grown fatigued, withdrew, after leaving a person in his place to verify the assertion and hear him to the last. In that sitting he recited two thousand nine hundred qaṣídas by poets who flourished before Muḥammad. Walíd, on being informed of the fact, ordered him a present of one hundred thousand dirhems.[259] Thus, towards the end of the first century after the Hijra, i.e., about 700 a.d., when the custom of writing poetry began, there was much of Pre-islamic origin still in circulation, although it is probable that far more had already been irretrievably lost. Numbers of Ráwís perished in the wars, or passed away in the course of nature, without leaving any one to continue their tradition. New times had brought new interests and other ways of life. The great majority of Moslems had no sympathy whatever with the ancient poetry, which represented in their eyes the unregenerate spirit of heathendom. They wanted nothing beyond the Koran and the Ḥadíth. But for reasons which will be stated in another chapter the language of the Koran and the Ḥadíth was rapidly becoming obsolete as a spoken idiom outside of the Arabian peninsula: the 'perspicuous Arabic' on which Muḥammad prided himself had ceased to be fully intelligible to the Moslems settled in ‘Iráq and Khurásán, in Syria, and in Egypt. It was essential that the Sacred Text should be explained, and this necessity gave birth to the sciences of Grammar and Lexicography. The Philologists, or, as they have been aptly designated, the Humanists of Baṣra and Kúfa, where these studies were prosecuted with peculiar zeal, naturally found their best material in the Pre-islamic The Humanists. poems—a well of Arabic undefiled. At first the ancient poetry merely formed a basis for philological research, but in process of time a literary enthusiasm was awakened. The surviving Ráwís were eagerly sought out and induced to yield up their stores, the compositions of famous poets were collected, arranged, and committed to writing, and as the demand increased, so did the supply.[260]

In these circumstances a certain amount of error was inevitable. Apart from unconscious failings of memory, there Corrupt tradition of the old poetry. can be no doubt that in many cases the Ráwís acted with intent to deceive. The temptation to father their own verses, or centos which they pieced together from sources known only to themselves, upon some poet of antiquity was all the stronger because they ran little risk of detection. In knowledge of poetry and in poetical talent they were generally far more than a match for the philologists, who seldom possessed any critical ability, but readily took whatever came to hand. The stories which are told of Ḥammád al-Ráwiya, Ḥammád al-Ráwiya. clearly show how unscrupulous he was in his methods, though we have reason to suppose that he was not a typical example of his class. His contemporary, Mufaḍḍal al-Ḍabbí, is reported to have said that the corruption which poetry suffered through Ḥammád could never be repaired, "for," he added, "Ḥammád is a man skilled in the language and poesy of the Arabs and in the styles and ideas of the poets, and he is always making verses in imitation of some one and introducing them into genuine compositions by the same author, so that the copy passes everywhere for part of the original, and cannot be distinguished from it except by critical scholars—and where are such to be found?"[261] This art of forgery was brought to perfection by Khalaf Khalaf al-Aḥmar. al-Aḥmar († about 800 a.d.), who learned it in the school of Ḥammád. If he really composed the famous Lámiyya ascribed to Shanfará, his own poetical endowments must have been of the highest order. In his old age he repented and confessed that he was the author of several poems which the scholars of Baṣra and Kúfa had accepted as genuine, but they laughed him to scorn, saying, "What you said then seems to us more trustworthy than your present assertion."

Besides the corruptions due to the Ráwís, others have been accumulated by the philologists themselves. As the Koran and the Ḥadíth were, of course, spoken and Other causes of corruption. afterwards written in the dialect of Quraysh, to whom Muḥammad belonged, this dialect was regarded as the classical standard;[262] consequently the variations therefrom which occurred in the ancient poems were, for the most part, 'emended' and harmonised with it. Many changes were made under the influence of Islam, e.g., 'Allah' was probably often substituted for the pagan goddess 'al-Lát.' Moreover, the structure of the qaṣída, its disconnectedness and want of logical cohesion, favoured the omission and transposition of whole passages or single verses. All these modes of depravation might be illustrated in detail, but from what has been said the reader can judge for himself how far the poems, as they now stand, are likely to have retained the form in which they were first uttered to the wild Arabs of the Pre-islamic Age.

Religion had so little influence on the lives of the Pre-islamic Arabs that we cannot expect to find much trace Religion. of it in their poetry. They believed vaguely in a supreme God, Allah, and more definitely in his three daughters—al-Lát, Manát, and al-‘Uzzá—who were venerated all over Arabia and whose intercession was graciously accepted by Allah. There were also numerous idols enjoying high favour while they continued to bring good luck to their worshippers. Of real piety the ordinary Bedouin knew nothing. He felt no call to pray to his gods, although he often found them convenient to swear by. He might invoke Allah in the hour of need, as a drowning man will clutch at a straw; but his faith in superstitious ceremonies was stronger. He did not take his religion too seriously. Its practical advantages he was quick to appreciate. Not to mention baser pleasures, it gave him rest and security during the four sacred months, in which war was forbidden, while the institution of the Meccan Pilgrimage enabled him to take part in a national fête. The Fair of ‘Ukáẓ.Commerce went hand in hand with religion. Great fairs were held, the most famous being that of ‘Ukáẓ, which lasted for twenty days. These fairs were in some sort the centre of old Arabian social, political, and literary life. It was the only occasion on which free and fearless intercourse was possible between the members of different clans.[263]

Plenty of excitement was provided by poetical and oratorical displays—not by athletic sports, as in ancient Greece and modern England. Here rival poets declaimed their verses and submitted them to the judgment of an acknowledged master. Nowhere else had rising talents such an opportunity of gaining wide reputation: what ‘Ukáẓ said to-day all Arabia would repeat to-morrow. At ‘Ukáẓ, we are told, the youthful Muḥammad listened, as though spellbound, to the persuasive eloquence of Quss b. Sá‘ida, Bishop of Najrán; and he may have contrasted the discourse of the Christian preacher with the brilliant odes chanted by heathen bards.

The Bedouin view of life was thoroughly hedonistic. Love, wine, gambling, hunting, the pleasures of song and romance, the brief, pointed, and elegant expression of wit and wisdom—these things he knew to be good. Beyond them he saw only the grave.

"Roast meat and wine: the swinging ride On a camel sure and tried, Which her master speeds amain O'er low dale and level plain: Women marble-white and fair Trailing gold-fringed raiment rare: Opulence, luxurious ease, With the lute's soft melodies— Such delights hath our brief span; Time is Change, Time's fool is Man. Wealth or want, great store or small, All is one since Death's are all."[264]

It would be a mistake to suppose that these men always, or even generally, passed their lives in the aimless pursuit of pleasure. Some goal they had—earthly, no doubt—such as the accumulation of wealth or the winning of glory or the fulfilment of blood-revenge. "God forbid" says one, "that I should die while a grievous longing, as it were a mountain, weighs on my breast!"[265] A deeper chord is touched by Imru’u ’l-Qays: "If I strove for a bare livelihood, scanty means would suffice me and I would seek no more. But I strive for lasting renown, and 'tis men like me that sometimes attain lasting renown. Never, while life endures, does a man reach the summit of his ambition or cease from toil."[266]