“Even good news broken suddenly to him in his weak state,” said Mrs. Vivianson in a rapid whisper, “may prove fatal. I have a plan which may gradually enlighten him.”
“I trust you,” said Cornelia. “You have saved his life with your nursing. Now give him back to me!”
“Hush!” said Mrs. Vivianson.
She had rapidly dispatched a messenger to Condover Street, and now, as Freddy again opened his eyes and repeated his piteous request, the messenger returned. Then all present gathered about the bed, whose inmate had been raised upon supporting pillows. It was a queer scene as the shaded electric light above the bed played upon Freddy’s pallid features, showing the ravages of sickness there. “Now!” said Mrs. Vivianson. She placed the milliner’s box upon the bed, and Freddy’s feeble fingers, diving into it, drew forth a spray of orange blossoms and a diaphanous cloud of filmy lace.
“Black—not white!” Freddy gasped brokenly. “It is a mourning toque that I must make. Let Cornelia wear it at my funeral.”
“Cornelia will not wear it at your funeral, Freddy,” said Mrs. Vivianson, bending over him; “for she is going to marry you, not to bury you.” And, drawing the tearful girl to Freddy’s side, she flung over her beautiful head the bridal veil, and crowned her with a wreath of orange blossoms. And as, with a feeble cry, Freddy opened his wasted arms and Cornelia fell into them, Mrs. Vivianson, her work of atonement completed, pressed the offered hand of Freddy’s mother, and hurried out of the room and out of the story. Which ends, as stories ought, happily for the lovers, who are now honeymooning in the Riviera.
UNDER THE ELECTRICS
A SHOW-LADY IS ELOQUENT
“Really, my dear, I think the man has gone a bit too far. Writes a play with a fast young lady in the Profession for the heroine—and where he got his model from I can’t imagine—and then writes to the papers to explain, accounting for her past being a bit off color—twiggez-vous?—by saying she isn’t a Chorus-lady, only a Show-lady.
“Gracious! I’m short of a bit of wig-paste, my pet complexion-color No. 2. Any lady present got half a stick to lend? I want to look my special best to-night: somebody in the stalls, don’tcherknow! Chuck it over!—mind that bottle of Bass! I’m aware beer is bad for the liver, but such a nourishing tonic, isn’t it? When I get back to the theater, tired after a sixty-mile ride in somebody’s 20 h.p. Gohard—twiggez?—a tumbler with a good head to it makes my dear old self again in a twink.
“Half-hour? That new call-boy must be spoke to on the quiet, dears. Such manners, putting his nasty little head right into the show-ladies’ dressing-room when he calls. I suggest, girlies, that when we’re all running down for the general entrance in the First Act—and that staircase on the prompt side is the narrowest I ever struck—I suggest that when we meet that little brute—he’s always coming up to give the principals the last call—I suggest that each girl bumps his head against the wall as she goes by! That’ll make twenty bumps, and do him lots of good, too!