“Miss de la Regy, dear, I lent you my blue pencil last night. Hand it over, there’s a good old sort, when you’ve given the customary languish to your eyes, love. What are you saying? Stage-Manager’s order that we’re not to grease-black our eyelashes so much, as some people say it looks fair hideous from the front? Tell him to consume his own smoke next time he’s in a beast of a cooker. Why don’t he tell her to mind her own business?—I’m sure she’s old enough! What I say is, I’ve always been accustomed to put lots on mine, and I don’t see myself altering my usual make-up at this time o’ day. Do you? Not much?—I rather thought so. What else does he say?—he’ll be obliged if we’ll wear the chin-strap of our Hussar busbies down instead of tucked up inside ’em? What I say is—and I’m sure you’ll agree with me, girls—that it’s bad enough to have to wear a fur hat with a red bag hangin’ over the top, without marking a young lady’s face in an unbecoming way with a chin-strap. Also he insists—what price him?—he insists on our leavin’ our Bridgehands down in the dressing-room, and not coming on the stage with ’em stuck in the fronts of our tunics, in defiance of the Army Regulations? Rot the Regulations, and bother the Stage-Manager! How she must have been nagging at him, mustn’t she?—because he can be quite too frightfully nice and gentlemanly when he likes. I will speak up for him that much. Not that I ever was a special favorite—I keep myself to myself too much. Different to some people not so far off. Twiggez? I’ve my pride, that’s what I say, if I am a Show-girl!
“Thirty-five shillings a week, with matinées—you can’t say it’s much to look like a lady on, can you now? No, but what a girl with taste and clever fingers, and a knack of getting what she wants at a remnant sale—and the things those forward creatures in black cashmere Princess robes try to shove down a lady-customer’s throat are generally the things she could buy elsewhere new for less money—not but that a girl with her head screwed on the right way can turn out in first-class style for less than some people would think, and get credit in some quarters we know of—this is a beastly, spiteful world, my dear—for taking presents right and left.
“Now, who has been and hung my wig on the electric light? If the person considers that a practical joke, it shows—that’s what I say!—it shows that she’s descended from the lowest circles. I won’t pretend I don’t suspect who has been up to her little games again, and, though I should, as a lady, be sorry to behave otherwise, I must caution her, unless she wishes to find her military boots full of prepared chalk one o’ these nights, to quit and chuck ’em.
“Quarter of an hour! That was clever of you, Miss Enderville dear, to shut that imp’s head in the door before he could pop it back again. Well, there! if you haven’t got another diamond ring!... Left at the stage-door office, addressed to you, by a perfect stranger, who hasn’t even enclosed a line.... Perhaps you’ll meet him in a better land, dear; he seems a lot too shy for this one. Not that I admire the three-speeds-forward sort of fellow, but there is such a thing as being too backward in coming up to the scratch—twig?
“I ought to know something about that, considering which my life was spoiled—never you mind how long ago, because dates are a rotten nuisance—by one of those hang-backers who want the young woman—the young lady, I should say—to make all the pace for both sides. It was during the three-hundred night run of——There! I’ve forgotten the name of the gay old show, but Miss de la Regy was in it with me—one of the Tall Eleven, weren’t you, Miss de la Regy dear? And we were Anchovian Brigands in the First Act—Sardinian Brigands, did you say? I knew it had something to do with the beginning of a dinner at the Savoy—and Marie Antoinette gentlemen in powdered wigs and long, gold-headed canes in the Second, and in the Final Tableau British tars in pink silk fleshings, pale blue socks, and black pumps, and Union Jacks. I remember how I fancied myself in that costume, and how frightfully it fetched him.
“Me keeping my eyes very much to myself in those days, new to the Profession as I was, I didn’t tumble to the fact of having made a regular conquest till a girl older than me twigged and gave me a hint—then I saw him sitting in the stalls, dear, if you’ll believe me!—dash it! I’ve dropped my powder-puff in the water-jug!—with his mouth wide open—not a becoming thing, but a sign of true feeling.
“He was fair and pale and slim, with large blue eyes, and lovely linen, and a diamond stud in the shirt-front, and a gardenia in the buttonhole was good form then, and the white waistcoats were twill. To-day his waistcoat would be heliotrope watered silk, and his shirt-front embroidered cambric, and if he showed more than an inch of platinum watch-chain, he’d be outcast for ever from his kind. Bless you! men think as much of being in the fashion as we do, take my word for it, dear.
“He kept his mouth open, as I’ve said, all through the evening, only putting the knob of his stick into it sometimes—silver knobs were all the go then—and never took his eyes off me. ‘You’ve made a victim, Daisy,’ says one of the girls as we did a step off to the chorus, two by two, ‘and don’t you forget to make hay while the sun shines!’ I thanked her to keep her advice to herself, and moved proudly away, but my heart was doing ragtime under my corsets, and no mistake about it. When we ran downstairs after the General Entrance and the Final Tableau, I took off as much make-up as I thought necessary, and dressed in a hurry, wishing I’d come to business in a more stylish get-up. And as I came out between the swing-leaves of the stage-door, I saw him outside in an overcoat with a sable collar, a crush hat, and a white muffler. Dark as the light was, he knew me, and I recognized him, his mouth being ajar, same as during the show, and his eyes being fixed in the same intense gaze, which I don’t blush to own gave me a sensation like what you have when the shampooing young woman at the Turkish Baths stands you up in the corner of a room lined with hot tiles and fires cold water at you from the other end of it out of a rubber hose.
“‘Well, have you found his name out yet, Daisy, old girl?’ was the question in the dressing-room next night. I felt red-hot with good old-crusted shame, when I found out that it was generally known he’d followed me down Wellington Street to my ’bus—not a Vanguard, but a gee-gee-er in those days—and stood on the splashy curb to see me get in, without offering an utterance—which I dare say if he had I should have shrieked for a policeman, me being young and shy. No, I’d no idea what his name was, nor nothing more than that he looked the complete swell, and was evidently a regular goner—twiggez?—on the personal charms of yours truly.
“If you’ll believe me, there wasn’t a line or a rosebud waiting for me at the stage-door next night, though he sat in the same stall and stared in the same marked way all through the evening. Perhaps he might for ever have remained anonymous, but that the girl who dressed on my left hand—quite a rattlingly good sort, but with a passion for eating pickled gherkins out of the bottle with a fork during all the stage waits and intervals such as I’ve never seen equaled—that girl happened to know the man—middle-aged toff, with his head through his hair and a pane in his eye—who was in the stall next my conquest the night before. She applied the pump—twiggez?—and learned the name and title of one I shall always remember, even though things never came to nothing definite betwixt us—twig?