Ripe apples could not be got all the year round in any variety; besides which, in winter and cold weather the crudity of the stomach needed to be assisted with a little warmth; therefore bake them.
People did not eat nearly enough fruit now-a-days; they had too much butcher's meat, and not enough fruit—that is, home-grown fruit, straight from orchard or garden, not the half-sour stuff sold in the shops, picked before it was ready.
The Americans were much wiser (he knew a good deal about America—he had been there in his early days, before thought superseded action)—the Americans had kept up many of the fine old English customs of two or three hundred years since, and among these was the eating of fruit. They were accused of being so modern, so very, very modern, but, in fact, the country Americans, with whom he had lived (and who had taught him how to chop) maintained much of the genuine antique life of old England.
They had first-rate apples, yet it was curious that the same trees produced an apple having a slightly different flavour to what it had in this country. You could always distinguish an American apple by its peculiar piquancy—a sub-acid piquancy, a wild strawberry piquancy, a sort of woodland, forest, backwoods delicacy of its own. And so on, and so on—"talk, talk, talk," as Mrs. Iden said.
After his baked apple he took another guilty look at the clock, it was close on four, and went into the passage to get his hat. In farmhouses these places are called passages; in the smallest of villas, wretched little villas not fit to be called houses, they are always "halls."
In the passage Mrs. Iden was waiting for him, and began to thump his broad though bowed back with all her might.
"Sleep, sleep, sleep!" she cried, giving him a thump at each word. "You've slept two hours. (Thump.) You sleep till you stupefy yourself (thump), and then you go and dig. What's the use of digging? (Thump.) Why don't you make some money? (Thump.) Talk and sleep! (Thump.) I hate it. (Thump.) You've rubbed the paint off the wainscot with your sleep, sleep, sleep (thump)—there's one of your hairs sticking to the paint where your head goes. (Thump.) Anything more hateful—sleep (thump), talk (thump), sleep (thump). Go on!"
She had thumped him down the passage, and across the covered-in court to the door opening on the garden. There he paused to put on his hat—an aged, battered hat—some sort of nondescript bowler, broken, grey, weather-stained, very battered and very aged—a pitiful hat to put above that broad, Shakespearian forehead. While he fitted it on he was thumped severely: when he opened the door he paused, and involuntarily looked up at the sky to see about the weather—a habit all country people have—and so got more thumping, ending as he started out with a tremendous push. He did not seem to resent the knocks, nor did the push accelerate his pace; he took it very much as he took the March wind.
Mrs. Iden slammed the door, and went in to clear the dinner things, and make ready for tea. Amaryllis helped her.
"He'll want his tea in half an hour," said Mrs. Iden. "What's the use of his going out to work for half an hour?"