Violet was naturally much disappointed, but after all, it was only a week or ten days, and they treated her with great courtesy at the residence at the asylum. A matron was always ready to afford her companionship; no intrusion was made upon her privacy. Theodore occasionally called upon her in the most respectful way. Books, papers, anything she seemed to wish for came at once. The matron, a lady-like person, took her into the town to do some shopping. Everything but a letter from Aymer. However, that was easily explained—the sea-post was always uncertain. Theodore took her over a great part of the asylum; she was astonished at its size, and the number of its inmates. It saddened her, and she still more longed for Aymer to return.
Why it was that she was not confined like Aymer was never wholly explained, but there is some reason to think that Marese Baskette had a faint idea of marrying her himself. He was, as we have seen, nervous about his marriage with Lady Lechester: lest anything should happen to prevent or delay it. This girl, Violet, he well knew, had a good claim to the estate; suppose he married her? She was a second string to his bow. As to the rumour of his being her father’s murderer, he would trust to his own wit and handsome face to overcome that. He never questioned his power to have her if he chose—but Lady Lechester first. Theodore had therefore his instructions to treat her well, and give her seeming liberty, and above all to keep her in good temper. Theodore did as he was bid. This seems the natural solution of the problem. If she had known that Aymer was so near!
It happened at this time that, on the seventh day after Violet’s arrival, the famous singer, Mademoiselle F—o, of whom all the world was talking, was to sing for one night only in the Sternhold Hall. Theodore, finding that she was getting restless and thoughtful, seized upon this opportunity to while away her gloom. He proposed that she should accompany him to the theatre or hall, and Violet, who had never heard an opera in her life, was naturally enough delighted to go. They went, and as it chanced it was the very night that Aymer and poor Fulk chose to make their escape. Thus it was that Theodore’s eye caught sight of Fulk, the moment the commotion caused by his late entrance attracted his attention. Violet was extremely pleased; the notes of the music and song filled her with an exquisite enjoyment. She was very beautiful, leaning over the front of her box, and scores of glasses were directed at her. Had she known that at that very moment Aymer was risking his life to escape!
The difficulty in this history-writing is to describe two or three events at the same moment. The eye can only read one line at a time, how then are you to bring two scenes at once before it? Some allowance must be made for the infirmities of the pen. There were two scenes proceeding at the moment that Theodore’s eye fell upon Fulk—three scenes, if you reckon the opera on the stage. First, poor Fulk shivering with terror, struggling to escape, the crowd round execrating him, his mind in a whirl, reproaching himself with his folly, and the tall figure of Theodore, who had come down from the box, pointing him out to an attendant and pushing forward to seize him. On the stage, La Sonnambula was uttering her sweetest trill; Marese Baskette’s mistress in the full height of her glory, with hundreds upon hundreds of the élite of that great city intent upon her every accent—hundreds upon hundreds of well-dressed, fashionable, wealthy ladies and gentlemen, most of whom knew her connection with Marese, the popular M.P., were there. This very knowledge attracted them in shoals. This was scene two.
The third scene was underneath. There in the darkness and gloom of the cellars, amid the slimy pools of water, the hideous fungi, the loathsome toads and creeping things, the grey sewer-rats were at work. You have seen a ship launched—she stands firm as a rock till the last wedge is knocked away, then glides into the water. Something of the same kind was going on here beneath the feet of several hundred human beings. These musty cellars and vaults under the Sternhold Hall, with their awkward approach, had been let at last. A London firm had given a small sum for them, and established a store of whisky casks. A dozen or so of whisky casks had been rolled down, a name put upon the door, and an advertisement in the newspaper. Nobody could do business with this firm, their terms were too high. The whisky casks, in truth, contained pure spring water. It was an excuse, however, for men in rough jackets, who had evidently been at work, to go in and out of these vaults, and to take with them saws and chisels, hammers, and other harmless tools. The firm was, in fact, composed of a dozen or more of the sharpest sewer-rats in Stirmingham. Their little game was so delightfully simple—only a little gnawing to be done! When Theodore and Baskette went down into this place, they found the floor supported by timber pillars. Their idea was to blow it up. The sewer-rats were much cleverer—their idea was to saw through the wooden pillars, and let the roof or floor down, and with it many hundred shrieking, maimed, and mutilated human beings. How simple great ideas appear when once they are described! There is nothing novel in the idea either: the holy Saint Dunstan tried it at Calne, and found it answer admirably.
Some say odd accidents have happened to grand stands at race meetings, through iron bolts being inadvertently removed. When hundreds of well-dressed, fashionable people, ladies and gentlemen, with gold rings and diamonds, earrings and bracelets, watches, money, bank-notes, and similar valuables about them, not to mention rich cloaks and perhaps furs, were shrieking, struggling, groaning, maimed, mutilated, and broken to pieces, with jagged ends and splinters of deal sticking into their bodies, how nice and benevolent it would be to go in among and assist them; to lift up the broken arm, and lighten it of the massive gold bracelet; to pull the horrid splinter out of the leg, and extract the well-filled purse; to alleviate the agony of the bruised shoulder or the broken back, and remove the choice fur or necklace of diamonds! Thoughtful of the sewer-rats to provide this banquet of Christian charity!
The one difficulty had been to get the several hundred people there. They had all in readiness for months, watching. They had it ready while the family council sat, and had deliberated about knocking the last wedge out at that time, but on reflection it was doubtful whether the Americans had much coin about them. Finally, one shrewd sewer-rat hit upon the idea of engaging Mademoiselle F—o to come down and sing. They paid her one hundred pounds in advance, with travelling expenses to come afterwards; and it would have been a good speculation in itself, for they took three hundred and fifty pounds, including the boxes. These boxes were a worry. They could not be let down, they were not built on wooden pillars; however, it was easy to shut one of the folding-doors at the entrance, and let the bolt drop into the stone—easy to raise a cry of “Fire!”—easy to imagine the crush at the door.
Easy also for me to enter into a catalogue of broken limbs, ribs, fractures, contusions, gashes, etc, etc—I shall leave it to the surgical imagination. But when hundreds of people, closely packed, are suddenly precipitated eighteen feet, amid splintering planks and crushing beams, it is probable that the hospitals will be full. This was the third scene preparing underneath.
Just as Fulk felt Theodore close to him—just as F—o uttered her sweetest trill—just as Violet was in the height of her enjoyment—the grey rat gave his last nibble—the last wedge was knocked away; and the floor went down. Poor Violet saw it all. She saw fourteen hundred hands suddenly thrown up into the air; she heard one awful cry, she felt the box tremble and vibrate, and the whole audience sank—sank as into one great pit. She turned deadly pale; she clung with both hands to the balustrade; but she did not faint. It was all too quick.
Fulk was in a stooping position, struggling to escape. That saved him. He fell with his body across a joist, which with a few others had not been sawn—some few had to be left to keep the floor apparently safe. His arms flew out in front, his legs struggling behind; he was poised on the centre of his body. At any other time one might have laughed. In that terrible moment the instinctive love of life endowed him with unusual strength. He knew not how he did it, but he got astride of the joist; he worked himself along it; he reached one of the slender iron columns or shafts which supported the boxes and gallery. He who mistrusted his power to climb a rope, in that hour of horrors went up that shaft with ease, assisted by the scroll-work on it. He got into the very box where Violet sat, with straining eyes gazing into that bottomless pit. Exhausted, he fell on his knees beside her. Exhausted, he heard the cry of “Fire!”—heard the rush to the doors. He remained on his knees, gazing, like her, down into the pit.