The cry that rose up—the shouts, the groans, the shrieks—will ring in Fulk’s ears till his death. Violet never heard a sound; her whole faculties were concentrated in her eyes. Heaps of human beings striving, heaving; fragments of dresses, opera cloaks fluttering from joists in mid-air; splinters with pieces of torn coats—Ah! I cannot write it; and she dares not tell me. One dares not dwell on this scene. One more word only. Fulk glanced at the stage: still the lights burnt there; the painted scene was untouched; the singer, F—o, had fled by the stage staircase.
It is odd, but the idea since came to me—she was the cheese; the hall, the trap. The simile will hardly bear close investigation.
It was those few minutes that Fulk and Violet spent in motionless horror that saved them. They thereby escaped the crush at the door; that is to say, they escaped being in it; it was impossible to go out without seeing it. Fulk recovered himself a little: his first instinct was that of a gentleman—the lady beside him. He caught her arm, and dragged her up from her seat; and she came with him unresistingly out of the box into the corridor: he could feel her whole frame tremble. Perhaps, reasoning after the event, they might as well have sat still; but remember the awful cry of fire, the instinctive desire to escape, and that Fulk was still fearful of being re-captured! They reached the staircase—descended it to within a few feet of the passage. There they saw a black mass, writhing, heaving: it was a mass of men and women who had fallen, and been trodden down. It extended along the whole passage to the open air. Then Violet fainted, and hung in his arms inert, helpless. Poor girl! it was enough to unnerve the boldest man. Fulk grasped her round the waist—he was short remember—he struggled with her; got his feet on that awful floor of moving bodies; he stumbled, and staggered towards the air, gasping for breath, dragging, half-trailing her behind him. He cried for help—his arms failed him; his poor, weak leg—the one that had been broken—slipped down into a crevice between two fallen men, and strive how he would he could not get it out. A mist swam before his eyes; but he did not let go—gallant little Fulk!
Strong arms seized him. Cabmen, police, coachmen, grooms—idlers who had rushed to the doors—seized him, and pulled him out, and set him on his legs, and pushed the brandy flask between his teeth. And still Fulk instinctively held tight to his burden.
“Where shall I drive you, sir?” said one cabman.
“To—I don’t know. Where is a good hotel?”
“The ‘Dragon,’ sir.”
“Help to lift her in.”
Fifteen minutes afterwards they were at the “Dragon.” Fortunate, indeed; for all the city—the great city—was pouring in vast crowds to that horrible doorway; and those who were extricated found it difficult to get away.
Fulk and Violet were well cared for at the “Dragon,” as, indeed, they would be after so terrible a catastrophe had brought out all the sympathy there was latent in that city. Besides, they were well-dressed, and Fulk was found to have money in his pocket-money, to do them justice, not one farthing of which was touched while he and Violet lay in adjoining rooms helpless—for they were helpless, utterly exhausted for six whole days. When Fulk, conscious that he must be stirring, did pull himself together and got out of bed, and into the sitting apartment, the first thing he saw was a newspaper on the table, the Stirmingham Daily News, which had come out with a deep line of black round every page, and in which was a list of the dead and wounded; the killed were very few in proportion to the injured. Fulk looked for Theodore Marese; he found his name among the dead. Theodore was gone to his account; he had been found on the floor of the vault face downwards, quite dead. There was a deep wound in his forehead, and it was thought that, in falling, his head had struck the iron-bound edge of one of the supposed whisky casks.