The ethics of rhetoric

by Richard M. Weaver

Chapter I
THE PHAEDRUS AND THE NATURE OF RHETORIC

Our subject begins with the threshold difficulty of defining the question which Plato’s Phaedrus was meant to answer. Students of this justly celebrated dialogue have felt uncertain of its unity of theme, and the tendency has been to designate it broadly as a discussion of the ethical and the beautiful. The explicit topics of the dialogue are, in order: love, the soul, speechmaking, and the spoken and written word, or what is generally termed by us “composition.” The development looks random, and some of the most interesting passages appear jeux d’esprit. The richness of the literary art diverts attention from the substance of the argument.

But a work of art which touches on many profound problems justifies more than one kind of reading. Our difficulty with the Phaedrus may be that our interpretation has been too literal and too topical. If we will bring to the reading of it even a portion of that imagination which Plato habitually exercised, we should perceive surely enough that it is consistently, and from beginning to end, about one thing, which is the nature of rhetoric.[1] Again, that point may have been missed because most readers conceive rhetoric to be a system of artifice rather than an idea,[2] and the Phaedrus, for all its apparent divagation, keeps very close to a single idea. A study of its rhetorical structure, especially, may give us the insight which has been withheld, while making us feel anew that Plato possessed the deepest divining rod among the ancients.

For the imaginative interpretation which we shall now undertake, we have both general and specific warrant. First, it scarcely needs pointing out that a Socratic dialogue is in itself an example of transcendence. Beginning with something simple and topical, it passes to more general levels of application; and not infrequently, it must make the leap into allegory for the final utterance. This means, of course, that a Socratic dialogue may be about its subject implicitly as well as explicitly. The implicit rendering is usually through some kind of figuration because it is the nature of this meaning to be ineffable in any other way. It is necessary, therefore, to be alert for what takes place through the analogical mode.

Second, it is a matter of curious interest that a warning against literal reading occurs at an early stage of the Phaedrus. Here in the opening pages, appearing as if to set the key of the theme, comes an allusion to the myth of Boreas and Oreithyia. On the very spot where the dialogue begins, Boreas is said to have carried off the maiden. Does Socrates believe that this tale is really true? Or is he in favor of a scientific explanation of what the myth alleges? Athens had scientific experts, and the scientific explanation was that the north wind had pushed her off some rocks where she was playing with a companion. In this way the poetical story is provided with a factual basis. The answer of Socrates is that many tales are open to this kind of rationalization, but that the result is tedious and actually irrelevant. It is irrelevant because our chief concern is with the nature of the man, and it is beside the point to probe into such matters while we are yet ignorant of ourselves. The scientific criticism of Greek mythology, which may be likened to the scientific criticism of the myths of the Bible in our own day, produces at best “a boorish sort of wisdom (ἀγροίκῳ τινὶ σοφίᾳ).” It is a limitation to suppose that the truth of the story lies in its historicity. The “boorish sort of wisdom” seeks to supplant poetic allegation with fact, just as an archaeologist might look for the foundations of the Garden of Eden. But while this sort of search goes on the truth flies off, on wings of imagination, and is not recoverable until the searcher attains a higher level of pursuit. Socrates is satisfied with the parable, and we infer from numerous other passages that he believed that some things are best told by parable and some perhaps discoverable only by parable. Real investigation goes forward with the help of analogy. “Freud without Sophocles is unthinkable,” a modern writer has said.[3]

With these precepts in mind, we turn to that part of the Phaedrus which has proved most puzzling: why is so much said about the absurd relationship of the lover and the non-lover? Socrates encounters Phaedrus outside the city wall. The latter has just come from hearing a discourse by Lysias which enchanted him with its eloquence. He is prevailed upon to repeat this discourse, and the two seek out a shady spot on the banks of the Ilissus. Now the discourse is remarkable because although it was “in a way, a love speech,” its argument was that people should grant favors to non-lovers rather than to lovers. “This is just the clever thing about it,” Phaedrus remarks. People are in the habit of preferring their lovers, but it is much more intelligent, as the argument of Lysias runs, to prefer a non-lover. Accordingly, the first major topic of the dialogue is a eulogy of the non-lover. The speech provides good subject matter for jesting on the part of Socrates, and looks like another exhibition of the childlike ingeniousness which gives the Greeks their charm. Is it merely a piece of literary trifling? Rather, it is Plato’s dramatistic presentation of a major thesis. Beneath the surface of repartee and mock seriousness, he is asking whether we ought to prefer a neuter form of speech to the kind which is ever getting us aroused over things and provoking an expense of spirit.

Sophistications of theory cannot obscure the truth that there are but three ways for language to affect us. It can move us toward what is good; it can move us toward what is evil; or it can, in hypothetical third place, fail to move us at all.[4] Of course there are numberless degrees of effect under the first two heads, and the third, as will be shown, is an approximate rather than an absolute zero of effect. But any utterance is a major assumption of responsibility, and the assumption that one can avoid that responsibility by doing something to language itself is one of the chief considerations of the Phaedrus, just as it is of contemporary semantic theory. What Plato has succeeded in doing in this dialogue, whether by a remarkably effaced design, or unconsciously through the formal pressure of his conception, is to give us embodiments of the three types of discourse. These are respectively the non-lover, the evil lover, and the noble lover. We shall take up these figures in their sequence and show their relevance to the problem of language.

The eulogy of the non-lover in the speech of Lysias, as we hear it repeated to Socrates, stresses the fact that the non-lover follows a policy of enlightened self-interest. First of all, the non-lover does not neglect his affairs or commit extreme acts under the influence of passion. Since he acts from calculation, he never has occasion for remorse. No one ever says of him that he is not in his right mind, because all of his acts are within prudential bounds. The first point is, in sum, that the non-lover never sacrifices himself and therefore never feels the vexation which overtakes lovers when they recover from their passion and try to balance their pains with their profit. And the non-lover is constant whereas the lover is inconstant. The first argument then is that the non-lover demonstrates his superiority through prudence and objectivity. The second point of superiority found in non-lovers is that there are many more of them. If one is limited in one’s choice to one’s lovers, the range is small; but as there are always more non-lovers than lovers, one has a better chance in choosing among many of finding something worthy of one’s affection. A third point of superiority is that association with the non-lover does not excite public comment. If one is seen going about with the object of one’s love, one is likely to provoke gossip; but when one is seen conversing with the non-lover, people merely realize that “everybody must converse with somebody.” Therefore this kind of relationship does not affect one’s public standing, and one is not disturbed by what the neighbors are saying. Finally, non-lovers are not jealous of one’s associates. Accordingly they do not try to keep one from companions of intellect or wealth for fear that they may be outshone themselves. The lover, by contrast, tries to draw his beloved away from such companionship and so deprives him of improving associations. The argument is concluded with a generalization that one ought to grant favors not to the needy or the importunate, but to those who are able to repay. Such is the favorable account of the non-lover given by Lysias.

We must now observe how these points of superiority correspond to those of “semantically purified” speech. By “semantically purified speech” we mean the kind of speech approaching pure notation in the respect that it communicates abstract intelligence without impulsion. It is a simple instrumentality, showing no affection for the object of its symbolizing and incapable of inducing bias in the hearer. In its ideal conception, it would have less power to move than 2 + 2 = 4, since it is generally admitted that mathematical equations may have the beauty of elegance, and hence are not above suspicion where beauty is suspect. But this neuter language will be an unqualified medium of transmission of meanings from mind to mind, and by virtue of its minds can remain in an unprejudiced relationship to the world and also to other minds.