The reign of Charles I. very nearly covers the second quarter of the seventeenth century. If we had to select a single author as our guide to the social habits of the time, we should probably at once fix upon Thomas Heywood, the busiest of dramatic writers, ‘a sort of prose Shakespeare,’ as Charles Lamb makes bold to say. Of his numerous works, one is a direct exposure of the then drinking customs.[129] The immense variety of drinking-cups, as well as the intrinsic value of many of them, speaks volumes. He describes them as ‘some of elme, some of box, some of maple, some of holly, &c., mazers, broad-mouth’d dishes, moggins, whiskins, piggins, cruizes, ale-bowles, wassell-bowles, court-dishes, tankards, kannes, from a bottle to a pint, from a pint to a gill. Other bottles we have of leather, but they are most used amongst the shepheards and harvest-people of the countrey; small jacks wee have in many ale-houses, of the citie and suburbs, tip’t with silver, besides the great black jacks and bombards at the court, which when the Frenchmen first saw, they reported at their returne into their countrey, that the Englishmen used to drinke out of their bootes: we have besides, cups made of horns of beasts, of cocker-nuts, of goords, of the eggs of estriches, others made of the shells of divers fishes brought from the Indies and other places, and shining like mother of pearl. Come to plate, every taverne can afford you flat bowls, prounet cups, beare bowles, beakers; and private householders in the citie, when they make a feast to entertain their friends, can furnish their cupboards with flagons, tankards, beere-cups, wine-bowls, some white, some percell gilt, some gilt all over, some with covers, some without, of sundry shapes and qualities.’
In the same books occurs the following curious satire:—‘There is now profest an eighth liberal art or science, called Ars Bibendi, i.e. the Art of Drinking. The students or professors thereof call a greene garland, or painted hoope hang’d out, a colledge, a sign where there is lodging, man’s-meate, and horse-meate, an inne of court, an hall or an hostle, where nothing is sold but ale and tobacco, a grammar schoole; a red or a blue lattice, that they terme a free schoole for all comers.... The bookes which they studdy, and whose leaves they so often turne over are for the most part three of the old translation and three of the new. Those of the old translation—1, The Tankard; 2, The Black Jacke; 3, The Quart-Pot, Rib’d, or Thorondell. Those of the new be these: 1, The Jugge; 2, The Beaker; 3, The Double or Single Can, or Black Pot.’ The same author gives a list of slang phrases then in use, signifying the being intoxicated. ‘He is foxt, hee is flawed, he is flustered, hee is suttle, cupshot, he hath seene the French king, he hath swallowed an havie or a taverne-token, hee hath whipt the cat, he hath been at the scriveners, and learn’d to make indentures, hee hath bit his grannam, or is bit by a barne-weesell,’ &c. In another of his productions, Shipwreck by Drink, he describes a drunken scene which took place in a house that he was passing in which a feast was being held:—
In the height of their carousing, all their brains
Warmed with the heat of wine.
And a marvellous piece of description it is. The guests imagine themselves to be rocked in a vessel during storm, climb bedposts as though they were masts, turn out the furniture as if casting ship-lading overboard; another bestrides his fellow to escape, Arion-like, on the dolphin’s back. The staff of the constable who enters is considered to be Neptune’s trident, and so forth.
But enough of this author. The habits of his time had evidently impressed him, and he constantly revives his impression. But it was no self-formed phantom. Abundance of corroboration is forthcoming. A political economist of the same date (1627) remarks, ‘This most monstrous vice is thus defined:—“Drunkenness is the privation of orderly motion and understanding.” ... But I need not stand much about the definition of drunkenness, for, with grief I speak it, the taverns, ale-houses, and the very streets are so full of drunkards in all parts of this kingdom, that by the sight of them it is better known what this detestable and odious vice is than by any definition whatsoever.’[130]
Regarding it then as established, that the intemperance of the times of Elizabeth and James I. was still perpetuated, it is natural to inquire to what it is to be attributed.
(1) The attractiveness of the drinks themselves, a constant factor in all periods.
Of wines, Canary and sack were in most demand, though these were constantly terms indifferently used; thus,—