Usually this painful operation is performed by a priest (Tohunga), who paints, or rather sketches out, one of the many different models with black colouring matter upon the face of the person to be tattooed, having first obtained his opinion, by showing him his visage reflected in a tub-full of water for lack of a mirror. As soon as the latter has signified his assent to the design selected, the further process is begun.
The instruments used were the following:—
The "Uhi," a small piece of wood, one extremity of which is armed with a small piece of sharp-edged bone, set in a vertical direction. This needle-like tool, which was formerly made either of human bones or of those of the albatross, has been since supplanted by proper steel instruments.
The "Ta" or "Tuki," a stalk of fern, which is pressed upon the Uhi in order that it might enter the skin, and bring out the desired pattern.
The necessary colouring stuff (Ngarahu) is made from the soot of the wood, when burnt, of the Kauri fir (Dammara Australis), which is collected in the leaves of the Ti-reed (Cordyline Australis), and is prepared with an infusion of the bark of the Hináu (Elæocarpus Hinau), in the form of small cones.
Immediately before the tattooing begins, the colouring matter thus prepared is moistened with the juice of the fruit of Tupa-kihi (Coriaria Sarmentosa). The complete "Moko"
comprises the face, the hips, and the upper surface of the thigh as far as the knee. Every separate tattooing has its appropriate name and its special position. Dieffenbach counts 17, and Richmond Taylor 19 of these, distinguishable by their several markings.
The operation is of so severe a nature, that very frequently it cannot be completed without endangering the life of the individual. Only one instance is on record, in which a native sat out the whole formidable process at one sitting, and he died just as the last line was finished. Usually the first tattooing took place at the 18th year, and was continued at various intervals. During the process, the patient lies on the ground with his head reposing on the bosom of the Tohunga, who holds the "Uhi" in his left hand, and the "Ta" or "Tuki" in his right, which he strikes upon the former with a rapid constant motion. As soon as an incision is made, the blood is wiped off with a piece of fine flax, and the colouring matter rubbed in. While this is going on the priests and the friends standing by keep up a continual chant, in order to cheer the patient and stimulate his courage.
After the operation the face swells, and for some time presents a downright hideous appearance, and instances have occurred in which it has been permanently distorted. Usually, however, the wounds heal after ten or twelve days, when the incised lines made by the "Uhi" present a bluish-black appearance.
With the women the operation is much more simple, being