"I am glad that you asked that question," said Georgie, "because I was trying to avoid it. You can never guess what the answer is. It is very difficult to take two at a time, and so we usually have to take one and then go back and get the other. I had a cousin once who knew a grip which could be worked on the backs of overshoes, by means of which he could drag two at a time, but he was an exceptionally fine dragger. He once took a pair of rubber boots from the barn into the front room, where a wedding was taking place, and put them on the bride's train. Of course, not one dog in a million could hope to do that.
"Once upstairs, it is quite easy getting them into the guest room, unless the door happens to be shut. Then what do you think I do? I go around through the bath-room window onto the roof, and walk around to the sleeping porch, and climb down [pg 177]into the guest room that way. It is a lot of trouble, but I think that you will agree with me that the results are worth it.
"Climbing up on the bed with the rubbers in my mouth is difficult, but it doesn't make any difference if some of the mud comes off on the side of the bedspread. In fact, it all helps in the final effect. I usually try to smear them around when I get them at last on the spread, and if I can leave one of them on the pillow, I feel that it's a pretty fine little old world, after all. This done, and I am off."
And Georgie Dog suddenly disappeared in official pursuit of an automobile going eighty-five miles an hour.
"So now," said Mother Nature to her little pupils, "we have heard all about Georgie Dog's work. To-morrow we may listen to Lillian Mosquito tell how she makes her voice carry across a room."[pg 178]
ANIMAL STORIES—
How Lillian Mosquito Projects Her Voice
All the children came crowding around Mother Nature one cold, raw afternoon in summer, crying in unison: