The lover denies the evanescence of human love. He implies that in some future time the love will reappear and be rewarded. Browning's optimism lays hold sometimes of the present, sometimes of the future, for the fulfilment of its hope. Especially strong is his "sense of the continuity of life." "There shall never be one lost good," he makes Abt Vogler say. The charm of this poem is more, perhaps, in its tenderness of tone and purity of atmosphere than in its doctrine of optimism.
LOVE AMONG THE RUINS. (PAGE [43].)
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This poem was written in Rome in the winter of 1853-1854. The scene is the Roman Campagna. The verse has a softness and a melody unusual in Browning. Compare its structure with that of Holmes's The Last Leaf. Note the elements of pastoral peace and gentleness in the opening, and in the coloring of the scene. What two scenes are brought into contrast? Note how the scenes alternate throughout the poem, and how each scene is gradually developed according to the ordinary laws of description. What ideals are thus compared? What does the poem mean?
MISCONCEPTIONS. (PAGE [47].)
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[11]. Dalmatic. A robe worn by mediæval kings on solemn occasions, and still worn by deacons at the mass in the Roman Catholic church.
The lyric order appears sharply developed here in the parallelism of the two stanzas. Point out this parallelism of idea. Does it fail at any point? Note the chivalrous absence of reproach[page 242] by the lover. Observe the climax up to which each stanza leads, and the climax within the last line of each stanza.
NATURAL MAGIC. (PAGE [48].)
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