In the Wilderness

by Robert Hichens

When “Caro mio ben” was ended people began to move. Rosamund was surrounded and congratulated, and Dion saw Esme Darlington bending to her, half paternally, half gallantly, and speaking to her emphatically. Mrs. Chetwinde drifted up to her; and three or four young men hovered near to her, evidently desirous of putting in a word. The success of her leaped to the eye. Dion saw it and glowed. But the excitement in him persisted, and he began to move towards the far side of the great room in search of Mrs. Clarke. If she had just come in she would probably be near the door by which the pathetic Echo stood on her pedestal of marble, withdrawn in her punishment, in her abasement beautiful and wistful. How different was Rosamund from Echo! Dion looked across at her joyous and radiant animation, as she smiled and talked almost with the eagerness and vitality of a child; and he had the thought, “How goodness preserves!” Women throng the secret rooms of the vanity specialists, put their trust in pomades, in pigments, in tinctures, in dyes; and the weariness and the sin become lustrous, perhaps, but never are hidden or even obscured. His Rosamund trusted in a wholesome life, with air blowing through it, with sound sleep as its anodyne, with purity on guard at its door; and radiance and youth sparkled up in her like fountain spray in the sunshine. And the wholesomeness of her was a lure to the many even in a drawing-room of London. He saw powdered women, women with darkened eyebrows, and touched-up lips, and hair that had forgotten long ago what was its natural color, looking at her, and he fancied there was a dull wonder in their eyes. Perhaps they were thinking: “Yes, that’s the recipe—being gay in goodness!” And perhaps some of them were thinking, too: “We’ve lost the power to follow that recipe, if we ever had it.” Poor women! With a sort of exultation he pitied them and their husbands. A chord was sounded on the piano. He stood still. The loud buzz of conversation died down. Was Rosamund going to sing again so soon? Perhaps some one had begged for something specially beloved. Jennie was playing a soft prelude as a gentle warning to a few of those who seem ever to find silence a physical difficulty. She stopped, and began to play something Dion did not know, something very modern in its strange atmospheric delicacy, which nevertheless instantly transported him to Greece. He was there, even before Rosamund began to sing in a voice that was hushed, in a far-off voice, not antique, but the voice of modernity, prompted by a mind looking away from what is near to what is afar and is deeply desired.

“A crescent sail upon the sea,
So calm and fair and ripple-free
You wonder storms can ever be;
A shore with deep indented bays,
And o’er the gleaming water-ways
A glimpse of Islands in the haze;
A faced bronzed dark to red and gold,
With mountain eyes that seem to hold
The freshness of the world of old;
A shepherd’s crook, a coat of fleece,
A grazing flock—the sense of peace,
The long sweet silence—this is Greece.”

The accompaniment continued for a moment alone, whispering remoteness. Then, like a voice far off in a blue distance, there came again from Rosamund, more softly and with less pressure:

“——The sense of peace,
The long sweet silence—this is Greece!
This is Greece!”

It was just then that Dion saw Mrs. Clarke. She had, perhaps, been sitting down; or, possibly, some one had been standing in front of her and had hidden her from him; for she was not far off, and he wondered sharply why he had not seen her till now, why, till now, she had refrained from snatching him away from his land of the early morning. There was to him at this moment something actually cruel and painful in her instant suggestion of Stamboul. Yet she was not looking at him, but was directing upon Rosamund her characteristic gaze of consideration, in which there was a peculiar grave thoroughness. A handsome, fair young man, with a very red weak mouth, stood close to her. Echo was just beyond. Without speaking, Mrs. Clarke continued looking at Rosamund intently, when the music evaporated, and Greece faded away into the shining of that distance which hides our dreams. And Dion noted again, with a faint creeping of wonder and of doubt, the strange haggardness of her face, which, nevertheless, he had come to think almost beautiful.

The fair young man spoke to her, bending and looking at her eagerly. She turned her head slowly, and as if reluctantly towards him, and was evidently listening to what he said, listening with that apparent intentness which was characteristic of her. She was dressed in black and violet, and wore a large knot of violets in her corsage. Round her throat was clasped an antique necklace of dull, unshining gold, and dim purple stones, which looked beautiful, but almost weary with age. Perhaps they had lain for years in some dim bazaar of Stamboul, forgotten under heaps of old stuffs. Dion thought of them as slumbering, made drowsy and finally unconscious by the fumes of incense and the exhalations from diapered perfume vials. As he looked at Mrs. Clarke, the bare and shining vision of Greece, evoked by the song Rosamund had just been singing, faded; the peculiar almost intellectually delicate atmosphere of Greece was gone; and he saw for a moment the umber mystery of Stamboul, lifted under tinted clouds of the evening beyond the waters of the Golden Horn; the great rounded domes and tapering speary minarets of the mosques, couchant amid the shadows and the trailing and gauzy smoke-wreaths, a suggestion of dense masses of cypresses, those trees of the night which only in the night can be truly themselves, guarding the innumerable graves of the Turkish cemeteries.

From that moment he connected Mrs. Clarke in his mind with the cypress. Surely she must have spent very many hours wandering in those enormous and deserted gardens of the dead, where the very dust is poignant, and the cries of the sea come faintly up to Allah’s children crumbling beneath the stone flowers and the little fezes of stone. Mrs. Clarke must love the cypress, for about her there was an atmosphere which suggested dimness and the gathering shadows of night.

Greece and Stamboul, the land of the early morning and the wonder-city of twilight; Rosamund and Mrs. Clarke, standing there for a moment, in the midst of the shifting crowd, Dion traveled, compared, connected and was alone in the soul’s solitude.

Then Mrs. Chetwinde spoke to him, and he saw Bruce Evelin in the distance going towards Rosamund.

Mrs. Chetwinde told him that Rosamund had made a great advance.