“Now that she’s given up singing professionally she’s singing better than ever. That Grecian song is the distilled essence of Greece felt in our new way. For we’ve got our new way of feeling things. Rosamund tells us she repeated the words to Jennie Stileman, and Jennie had them set by a young Athenian who’s over here studying English. He catches the butterfly, lets it flutter for a moment in his hand and go. He doesn’t jab a pin into it as our composers would. Oh, there’s Cynthia! I hope she heard the last thing.”
“Yes, she did.”
“Ah?”
“I thought Mrs. Clarke was spending January in Paris.”
“She came back to-day, and sent round to ask if she might come.”
Mrs. Chetwinde wandered away, insouciant and observant as ever. Even at her own parties she always had an air of faintly detached indifference, never bothered about how “it” was “going.” If it chose to stop it could, and her guests must put up with it.
When she left him Dion hesitated. Mrs. Clarke had just seen him and sent him a grave nod of recognition. Should he go to her? But the fair young man was still at her side, was still, with his weak red mouth, talking into her ear. Dion felt a strange distaste as he saw those moving lips under the brushed-up, almost ridiculously small, golden mustache; and just as he was conscious of this distaste Mrs. Clarke got rid of the young man, and spoke to a woman. Then she moved forward slowly. Mr. Chetwinde spoke to her, moving his ample fan-shaped beard, which always looked Assyrian, though he was profoundly English and didn’t know it. She drew nearer to Dion as she answered Mr. Chetwinde, but in a wholly unconscious manner. To-night she looked more haggard even than usual, no doubt because of the journey from Paris. But Mrs. Chetwinde had once said of her: “Cynthia is made of iron.” Could that be true? She was quite close to Dion now, and he was aware of a strange faint perfume which reminded him of Stamboul; and he realized here in Lowndes Square that Stamboul was genuinely fascinating, was much more fascinating than he had realized when he was in it.
Mrs. Clarke passed him without looking at him, and he felt sure quite unconscious of his nearness to her. Evidently she had forgotten all about him. Just after she had gone by he decided that of course he ought to go and speak to her, and that to-night he must introduce Rosamund to her. Not to do so would really be rude. Daventry was not there to be chivalrous. The illness of Beattie, and doubtless his own distress at the loss of his unborn child, had kept him away. Dion thought that he would be unchivalrous if he now neglected to make a point of speaking to Mrs. Clarke and of introducing his wife to her.
Having made up his mind on this he turned to follow Mrs. Clarke, and at once saw that Esme Darlington, that smoother of difficult social places, was before him. A little way off he saw Mr. Darlington, with Rosamund well but delicately in hand, making for Mrs. Clarke somewhat with the gait of Agag. In a moment the thing was done. The two women were speaking to each other, and Rosamund had sent to Mrs. Clarke one of her inquiring looks. Then they sat down together on that red sofa to which Mrs. Clarke had led Dion for his first conversation with her. Esme Darlington remained standing before it. The full acquaintance was joined at last.
Were they talking about the baby? Dion wondered, as for a moment he watched them, forgetting his surroundings. Rosamund was speaking with her usual swift vivacity. At home she was now often rather quiet, moving, Dion sometimes thought, in an atmosphere of wide serenity; but in society she was always full of sunshine and eager life. Something within her leaped up responsively at the touch of humanity, and to-night she had just been singing, and the whole of her was keenly awake. The contrast between her and Mrs. Clarke was almost startling: her radiant vitality emphasized Mrs. Clarke’s curious, but perfectly natural, gravity; the rose in her cheeks, the yellow in her hair, the gaiety in her eyes, drew the attention to Mrs. Clarke’s febrile and tense refinement, which seemed to have worn her body thin, to have drained the luster out of her hair, to have fixed the expression of observant distress in her large and fearless eyes. Animal spirits played through Rosamund to-night; from Mrs. Clarke they were absent. Her haggard composure, confronting Rosamund’s pure sparkle, suggested the comparison of a hidden and secret pool, steel colored in the depths of a sunless forest, with a rushing mountain stream leaping towards the sea in a tangle of sun-rays. Dion realized for the first time that Mrs. Clarke never laughed, and scarcely ever smiled. He realized, too, that she really was beautiful. For Rosamund did not “kill” her; her delicacy of line and colorless clearness stood the test of nearness to Rosamund’s radiant beauty. Indeed Rosamund somehow enhanced the peculiarly interesting character of Mrs. Clarke’s personality, which was displayed, but with a sort of shadowy reticence, in her physique, and at the same time underlined its melancholy. So might a climbing rose, calling to the blue with its hundred blossoms, teach something of the dark truth of the cypress through which its branches are threaded.