“THIS WAS MADE ANNO MVCLX4”
The next capital has the following inscription, upside down—
“THIS IS THE HOVSE OF THE L.”
The supposed piscina, according to the Rev. S. Baring-Gould, is merely “the base of a small pillar, Norman in style, with a hole in it for a rivet which attached to it the slender column it supported” (“The Vicar of Morwenstow,” ed. 1899, p. 60). It has also been stated that Mr. Hawker obtained the piscina from the ruined chapel at Longfurlong, Hartland, and placed it in his church at Morwenstow (Rev. T. H. Chope, “Hartland Parish,” 1896, p. 17).[160]
APPENDIX Aa (p. [9] and foll.)
MORWENSTOW CHURCH
By the Late Rev. W. WADDON MARTYN
One of the most beautiful of Mr. Hawker’s poems commences with the words “My Saxon shrine.” It becomes of interest, therefore, to examine as far as possible into the dates which attach to the different periods of architecture of the truly venerable church of Morwenstow.
It is very likely that Mr. Hawker is correct when he speaks of the first church here dedicated to God’s service as being of Saxon times, but it is equally true that, with the exception of perhaps the font, no trace of that early building remains. The earliest portion of the present building consists of the south porch and the three Norman arches which form the western portion of the north arcade. There is a difference in the elaboration of the work of these three arches, but it is scarcely likely that they could have been erected at different times. It is more probable that they are intended to show the varied methods of dealing with the semi-circular arch at that early period. It is of perhaps more interest to decide whether the pattern of the Norman arch bisected, which occurs on the easternmost of the Norman pillars, was placed there at the time of the Norman church or at the time of the construction of the two Gothic arches on the same side. If the former supposition be correct, it will signify, of course, that the whole structure was made at the close of the purely Norman period; if the latter, it would be intended to explain the reason why the architecture of that period passed so strangely from the round to the pointed arch.