"If that might be," he said gently, "that would I do—for the child's sake and for hers."
"Good God!" I said under my breath.
"Did you not surmise it?"
"No."
"Well, then, now you know how deeply I am damned.... God gave me a last chance. There was a chaplain at the fort."
"Kirkland."
"Yes, Gann went forward.... But—God's grace was not within me.... And to see her angered me—that and the blinding hurt I had when Lana left—heart-broken, wretched, still loving me, but consigning me to my duty.... So I denied her at the bridge.... And from that moment has my unseen pilot walked beside me, and I know he leads me swiftly to my end."
I raised my troubled eyes and glanced toward my Indians. They had stripped great squares of bark from half a dozen trees, and were busily painting upon them, in red and blue, insulting signs and symbols—a dead tree-cat, scalped, and full of arrows; a snake severed into sections; a Seneca tied to a post and a broken wampum belt at his feet. And on every tree they had also painted the symbol of their own clans and nation—pointed stones and the stars of the Pleiades; a witch-wolf and an enchanted bear; a yellow moth alighted on a white cross; a night-hawk, perfectly recognizable, soaring high above a sun, setting, bisecting the line of the horizon.
Every scalp taken was duly enumerated and painted there, together with every captured weapon. Such a gallery of art in the wilderness I had never before beheld.
Boyd's riflemen sat around, cross-legged on the moss, watching the Indians at their labour—all except Murphy and Elerson, who, true to their habits, had each selected a tree to decorate, and were hard at work with their hunting knives on the bark.