Her history, as known to the police, was peculiar and rather sad: at sixteen she had been betrothed to an elderly, bull-necked colonel of cavalry, the notorious Count de Vassart, who needed what money she might bring him to maintain his reputation as the most brilliantly dissolute old rake in Paris.
At sixteen, Éline de Trécourt was a thin, red-haired girl, with rather large, grayish eyes. Speed and I saw her once, sitting in her carriage before the Ministry of War a year after her marriage. There had been bad news from Mexico, and there were many handsome equipages standing at the gates of the war office, where lists of killed and wounded were posted every day.
I noticed her particularly because of her reputed wealth and the evil reputation of her husband, who, it was said, was so open in his contempt for her that the very afternoon of their marriage he was seen publicly driving on the Champs-Élysées with a pretty and popular actress of the Odéon.
As I passed, glancing up at her, the sadness of her face impressed me, and I remember wondering how much the death of her husband had to do with it—for his name had appeared in the evening papers under the heading, “Killed in Action.”
It was several years later before the police began to take an interest in the Comtesse Éline de Vassart. 11 She had withdrawn entirely from society, had founded a non-sectarian free school in Passy, was interested in certain charities and refuges for young working-girls, when on a visit to England, she met Karl Marx, then a fugitive and under sentence of death.
From that moment social questions occupied her, and her doings interested the police, especially when she returned to Paris and took her place once more in Royalist circles, where every baby was bred from the cradle to renounce the Tuileries, the Emperor, and all his works.
Serious, tender-hearted, charitable, and intensely interested in all social reforms, she shocked the conservative society of the noble faubourg, aroused the distrust of the government, offended the Tuileries, and finally committed the mistake of receiving at her own house that notorious group of malcontents headed by Henri Rochefort, whose revolutionary newspaper, La Marseillaise, doubtless needed pecuniary support.
Her dossier—for, alas! the young girl already had a dossier—was interesting, particularly in its summing-up of her personal character:
“To the naive ignorance of a convent pensionnaire, she adds an innocence of mind, a purity of conduct, and a credulity which render her an easy prey to the adroit, who play upon her sympathies. She is dangerous only as a source of revenue for dangerous men.”
It was from her salon that young Victor Noir went to his death at Auteuil on the 10th of January; and possibly the shock of the murder and the almost universal conviction that justice under the Empire was hopeless drove the young Countess to seek a refuge in the country where, at her house of La Trappe, she could quietly devote her life to helping the desperately wretched, and where she could, in security, hold council with those who also had chosen to give their lives to 12 the noblest of all works—charity and the propaganda of universal brotherhood.