'You think I should not understand,' he returned, a little piqued, in spite of his sweet temper; 'you have never forgiven me my scepticism with regard to poetry. I thought you did not bear malice, Miss Olive.'
'Neither do I,' she returned, distressed. 'I was only sorry for you then, and I am sorry now you miss so much; poetry is like music, you know, and seems to harmonise and go with everything.'
'Nature has made me prosaic and stupid, I suppose,' returned Hugh, almost sorrowfully. He did not like to be told that he could not understand; he had a curious notion that he would like to know the thoughts that had made her eyes so soft and shining; it seemed strange to him that any girl should dwell so apart in a world of her own. 'How you must despise me,' he said at last, with a touch of bitterness, 'for being what I am.'
'Hush, Mr. Marsden, how can you talk so?' returned Olive in a voice of rebuke.
The idea shocked her. What were her beautiful thoughts compared to his deeds—her dreamy, contemplative life contrasted with his intense working energies? As she looked up at the great broad-shouldered young fellow striding beside her, with swinging arms and great voice, and simple boyish face, it came upon her that perhaps his was the very essence of poetry, the entire harmony of mind and will with the work that was planned for him.
'Oh, Mr. Marsden, you must never say that again,' she said earnestly, so that Hugh was mollified.
And then, as was often the case with the foolish-fond fellow, when he could get a listener, he descanted eagerly about his little Croydon house and his mother and sisters. Olive was always ready to hear what interested people; she thought Hugh was not without a certain homely poetry as she listened—perhaps the moonlight, the glimmering fields, or Olive's soft sympathy inspired him; but he made her see it all.
The little old house, with its faded carpet and hangings, and its cupboards of blue dragon-china—'bogie-china' as they had called it in their childhood—the old-fashioned country town, the gray old almshouses, Church Street, steep and winding, and the old church with its square tower, and four poplar trees—yes, she could see it all.
Olive and Chriss even knew all about Dora and Florence and Sophy; they had seen their photographs at least a dozen times, large, plain-featured women, with pleasant kindly eyes, Dora especially.
Dora was an invalid, and wrote little books for the Christian Knowledge Society, and Florence and Sophy gave lessons in the shabby little parlour that looked out on Church Street; through the wire blinds the sisters' little scholars looked out at the old-fashioned butcher's shop and the adjoining jeweller's. At the back of the house there was a long narrow garden, with great bushes of lavender and rosemary.