The letters that came to Hugh were all fragrant with lavender, great bunches of it decked the vases in his little parlour at Miss Farrer's; antimacassars, knitted socks, endless pen-wipers and kettle-holders, were fashioned for Hugh in the little back room with its narrow windows looking over the garden, where Dora always lay on her little couch.
'She is such a good woman—they are all such good women,' he would say, with clumsy eloquence that went to Olive's heart; 'they are never sad and moping, they believe the best of everybody, and work from morning till night, and they are so good to the poor, Sophy especially.'
'How I should like to know them,' Olive would reply simply; she believed Hugh implicitly when he assured her that Florence was the handsomest woman he knew; love had beautified those plain-featured women into absolute beauty, divine kindness and goodness shone out of their eyes, devotion and purity had transformed them.
'That is what Dora says, she would so like to know you; they have read your book and they think it beautiful. They say you must be so good to have such thoughts!' cried Hugh, with sudden effusion.
'What are you two young people talking about?' cried Dr. Heriot's voice in the darkness. 'Polly has quarrelled with me, and Chriss is cross, and Miss Lambert is dreadfully tired.'
'Are you tired, Aunt Milly? Mr. Marsden has been telling me about his sisters, and—and—I think we have had a little quarrel too.'
'No, it was I that was cross,' returned Hugh, with his big laugh; 'it always tries my temper when people talk in an unknown tongue.'
Olive gave him a kind look as she bade him good-night.
'I have enjoyed hearing about your sisters, so you must never call yourself prosaic and stupid again, Mr. Marsden,' she said, as she followed the others into the house.