[264] Cf. p. 89 of his edition (1896).
[265] Cf. John Dennis, The Impartial Critick (1693).
[266] Cf. Tovey, Letters of Thomas Gray, II, 293 f.
[267] Cf. Dennis, op. cit.
[268] Four Plays of Euripides (1905), pp. 125-30.
[269] Cf. Murray, Euripides and His Age (1913), p. 238.
[270] Thucydides Mythistoricus (1907), p. 147 (italics mine).
[271] In addition to the works mentioned on pp. [xvii] and [xx f.], above, cf. Detscheff, De Tragoediarum Graecarum Conformatione Scaenica ac Dramatica (1904); Rees, “The Meaning of Parachoregema,” Classical Philology, II (1907), 387 ff.; The So-called Rule of Three Actors in the Classical Greek Drama (1908); “The Number of the Dramatic Company in the Period of the Technitae,” American Journal of Philology, XXXI (1910), 43 ff., and “The Three Actor Rule in Menander,” Classical Philology, V (1910), 291 ff.; O’Connor, Chapters in the History of Actors and Acting in Ancient Greece (1908); Leo, Der Monolog im Drama (1908), and Plautinische Forschungen² (1912), pp. 226 ff.; Listmann, Die Technik des Dreigesprächs in der griechischen Tragödie (1910); Kaffenberger, Das Dreischauspielergesetz in der griechischen Tragödie (1911); Foster, The Divisions in the Plays of Plautus and Terence (1913); Stephenson, Some Aspects of the Dramatic Art of Aeschylus (1913); Graf, Szensiche Untersuchungen zu Menander (1914); and Conrad, The Technique of Continuous Action in Roman Comedy (1915), reviewed by Flickinger in Classical Weekly, X (1917), 147 ff.
Fig. 66 is taken from Baumeister’s Denkmäler, Fig. 1637. The apparent height of the tragic actors is said to have been increased by means of the ὄγκος projecting above the head and of thick-soled boots (κόθορνοι), both represented in Fig. 66. The employment of such paraphernalia rests upon late evidence, however, and has been disputed for fifth-century tragedy; cf. for example Smith, “The Use of the High-soled Shoe or Buskin in Greek Tragedy of the Fifth or Fourth Centuries B.C.,” Harvard Studies, XVI (1905), 123 ff. For the costumes of comic actors, see [pp. 46 f.], above.
[272] Cf. Capps, “The Introduction of Comedy into the City Dionysia,” University of Chicago Decennial Publications, VI, 269, n. 37.