[273] Cf. Tanner, Transactions of American Philological Association, XLVI (1915), 185-87. For Sophocles, cf. Jebb’s Electra, p. lvii.
[274] Cf. Rees, Classical Philology, V (1910), 291 ff., and Kaffenberger, op. cit., p. 10.
[275] Cf. C. F. Hermann, De Distributione Personarum inter Histriones in Tragoediis Graecis (1840), pp. 32-34.
[276] Cf. Prescott, “Three Puer-Scenes in Plautus and the Distribution of Rôles,” Harvard Studies, XXI (1910), 44. It ought to be added that some authorities deny that Prometheus was represented by a dummy, believing that this tragedy belonged to the three-actor period (see further, [p. 228], below).
[277] Cf. Lewes, Life of Goethe², p. 424.
[278] Cf. Four Plays of Euripides (1905), pp. 1 ff.
[279] Cf. the scholium on vs. 93.
[280] Cf. Devrient, Das Kind auf der antiken Bühne (1904).
[281] Cf. Oxyrhynchus Papyri, VI (1908), 69.
[282] Cf. Rees, American Journal of Philology, XXXI (1910), 43 ff.