[373] Reisch, however, in his review of Wilhelm in Zeitschrift f. östr. Gymnasien, LVIII (1907), 297 f. maintained that the original cutting went to the bottom of col. 14. This would postpone the preparation of the inscription until about 330 B.C. and would make it a feature of the completion of the theater by Lycurgus at about that time. He suggests that the Fasti stood in the left parodus of the theater.
[374] Fig. 75 is taken from Wilhelm, Urkunden dramatischer Aufführungen in Athen, p. 18, and represents fragments a and f of Corpus Inscriptionum Graecarum, II, 971.
[375] Fig. 76a is taken from Wilhelm, op. cit., p. 40, and represents Corpus Inscriptionum Graecarum, II, 973.
[376] Körte, “Aristoteles’ ΝΙΚΑΙ ΔΙΟΝΥΣΙΑΚΑΙ,” Classical Philology, I (1906), 391 ff., maintained that the Victors’-Lists were transferred to stone straight from another book of Aristotle’s entitled Νῖκαι Διονυσιακαὶ Ἀστικαὶ καὶ Ληναϊκαί (“Victories at the City Dionysia and the Lenaea”). Our knowledge of the nature of this work is confined to what can be inferred from its title and is too vague to justify dogmatic conclusions.
[377] Figs. 77a and b are taken from Wilhelm, op. cit., 101, and represent Corpus Inscriptionum Graecarum, II, 977a and ab respectively.
[378] Fig. 78 is taken from Wilhelm, op. cit., p. 107 and represents Corpus Inscriptionum Graecarum, II, 977i and k, together with two previously unpublished fragments.
[379] Fig. 79 is taken from Wilhelm, op. cit., p. 123, and represents Corpus Inscriptionum Graecarum, II, 977d, e, f, g, and h.
[380] Fig. 80 is taken from Clarac, Musée de Sculpture, III, Pl. 294, Fig. 65. Note that the first play in the list on the background is the ΑΛΚΕΣ[ΤΙΣ].